| Claudio Amendola | ... | Angelo Mandolesi | |
| Enrico Lo Verso | ... | Andrea Corsale | |
| Carlo Cecchi | ... | Judge Michele de Francesco | |
| Ricky Memphis | ... | Fabio Muzzi | |
| Tony Sperandeo | ... | Raffaele Frasca | |
| Lorenza Indovina | ... | Lia Corsale | |
| Ugo Conti | ... | Nicola | |
| Rita Savagnone | ... | Angelo's Mother | |
| Giovanni Alamia | ... | Nino Carabba | |
| Francesca d'Aloja | ... | Anna Spano | |
| Giovanni Pallavicino | ... | Padre Virzi | |
| Giacinto Ferro | ... | M.P. Nestore Bonura | |
| Guia Jelo | ... | Rosalia Carabba | |
| Benedetto Raneli | ... | President Caruso | |
| Francesco Siciliano | ... | Policeman Marchetti | |
| Angelo Infanti | ... | Judge Barresi | |
| Leo Gullotta | ... | Policeman | |
| Luigi Maria Burruano | ... | Informer | |
| Claudia Bonivento | ... | Roberta de Francesco | |
| Davide Gavino Cannas | ... | Davide Corsale | |
| Nunzia Greco | ... | Bonura's Wife | |
| Salvo Mangione | ... | Magistrate | |
| Mimmo Mignemi | ... | Marshall | |
| Marco Magnesia | ... | Mattia Corsale | |
| Antonino Pensabene | ... | Vice-Prefect Scavone | |
| Ninni Picone | ... | Janitor | |
| Elda Alvigini | ... | Milena | |
| Maurizio Romoli | ... | Judge Pollara | |
| Santi Bellina | ... | Salvatore Genna | |
| Claudio Spadaro | ... | Farina | |
| Tony Sperandeo Jr. | ... | Igor Corsale |
Directed by | |||
| Ricky Tognazzi | |||
Writing credits | ||
| Graziano Diana | (story) and | |
| Simona Izzo | (story) | |
| Stefano Sudriè | (idea) and | |
| Gianni Romoli | (idea) (as Giovanni Romoli) | |
| Graziano Diana | (screenplay) and | |
| Simona Izzo | (screenplay) | |
Produced by | |||
| Claudio Bonivento | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Alessio Gelsini Torresi | (as Alessio Gelsini) | ||
Film Editing by | |||
| Carla Simoncelli | |||
Production Design by | |||
| Mariangela Capuano | |||
Costume Design by | |||
| Katia Dottori | (as Catia Dottori) | ||
Makeup Department | |||
| Iolanda Angelucci | .... | hair stylist | |
| Stefano Fava | .... | makeup artist | |
| Onoria Serangeli | .... | assistant hair stylist | |
| Giovanna Turco | .... | assistant makeup artist | |
Production Management | |||
| Mauro De Salve | .... | unit manager | |
| Anna Maria Galvinelli | .... | unit manager | |
| Giorgio Innocenti | .... | production manager | |
| Massimo Martino | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Daniele Cascella | .... | assistant director | |
| Ferzan Ozpetek | .... | assistant director | |
| Maria Sole Tognazzi | .... | assistant director | |
Art Department | |||
| Claudio Di Gregorio | .... | property assistant | |
| Marcello Fida | .... | property assistant | |
| Cinzia Milani | .... | assistant production designer | |
| Angelo Pain | .... | property assistant | |
Sound Department | |||
| Angelo Amatulli | .... | sound recordist | |
| Filippo Bussi | .... | digital sound editor | |
| Danilo Moroni | .... | sound mixer | |
| Gruppo Trenta | .... | dubbing sound | |
| Remo Ugolinelli | .... | sound | |
Special Effects by | |||
| Danilo Bollettini | .... | special effects | |
| Giovanni Corridori | .... | special effects | |
Costume and Wardrobe Department | |||
| Alfredo Bocci | .... | wardrobe supervisor | |
| Rosa Palma | .... | assistant costume designer | |
Editorial Department | |||
| Giancarlo Barberi | .... | color technician | |
| Andrea De Angelis | .... | first assistant editor | |
| Fabio Ferranti | .... | assistant editor | |
| Fabrizio Ferranti | .... | second assistant editor | |
Other crew | |||
| Silvia Ferri | .... | assistant dubbing | |
| Monica Gradella | .... | production secretary | |
| Anna Pesaresi | .... | accountant | |
| Mario Piscini | .... | production secretary | |
| Anastasia Santarelli | .... | accountant | |
| Ianni Saverio | .... | production secretary | |
| Recent Posts (updated daily) | User |
|---|---|
| This movie was great and needs to be on DVD | Alogusz |
| This movie IS out on DVD | Alogusz |
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| Salvatore Giuliano | Il Divo | An Eyewitness Account | The Sicilian Girl | Il camorrista |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Italy section |
Angelo and Corsale are two of a team of escorts for a Judge in Sicily. They replace a Judge who was murdered with his escorts by the mob. As Judge De Francesco continues his predecessor's investigations the escorts are put under increasing pressure as the threat from the mob become greater.
This film is an excellent look at two things, one is the macho world of escorts and the stress that they are under. The second is the world of corruption and organised crime in Sicily. The two lead escorts are of different worlds - Angelo is more aggressive while Corsale is a family man who is more precise and organised. The men are not the focus of the story and they don't bounce off each other in the way they would in a Hollywood movie - they have conflict but it is not of the major sort and isn't merely a plot driver. The most exciting element of their work is the fact that they have to be on edge constantly - a parked car on their escort route leads to a dramatic build up in case it's an ambush - they constantly need to be on guard and expect an attack at any time.
This constant tension is well put across and you find yourself expecting action through the whole film. When the violence does come it is sudden and unexpected - just as it would be in real life. The tension is fed by Ennio Moricone's pumping urgent score that plays for many of the escort scenes and makes a film low on action seem absolutely action packed!
The lead performances are mixed - Claudio Amendola is a little of a caricature as Angelo, but Enrico Lo Verso is good as Corsale. Carlo Cecchi is also good as Judge De Francesco who must cope with the fact that his job puts his life in daily danger.
Overall a dramatic little film that looks at the risks related to the job of being an escort, but also leaves you with a downbeat conclusion about the effect that the mafia has on life in Sicily as the full extent of the corruption is made clear.