| Complete credited cast: | |||
|
|
Florian Koerner von Gustorf | ... | |
|
|
Monika M. | ... | |
|
|
Micha Brendel | ... |
Der Gläubige
|
|
|
Carolina Harnisch | ... |
Die Gläubige
|
|
|
Xaver Schwarzenberger | ... |
Älterer Herr 1
|
|
|
Gerd Horvath | ... |
Älterer Herr 2
|
|
|
Michael Brynntrup | ... | |
|
|
Franz Rodenkirchen | ... |
Zahnarzt
|
|
|
Anne Presting | ... |
Zahnärztin
|
|
|
Eddi Zacharias | ... |
Liebhaber
|
|
|
Michael Romahn | ... |
Selbstmörder
|
|
|
Volker Hauptvogel | ... |
Kellner
|
Lothar Schramm is a simple man with complex problems, yet he seems like such a nice guy. He works as a taxi driver and lives by himself where he is happy to answer his door to strangers and kill them outright. As with many shy loner types he has a problem dealing with woman so he drugs them and photographs their nude bodies for sexual stimulation. He then murders his helpless victims and so goes the life of a deranged serial killer. Written by Losman <losman@express-news.net>
This was my first taste of Jorg Buttgereit, and I was very impressed, although it made me feel kinda bad afterwards. Florian Koerner von Gustorf puts in an awesome performance as the murderous, tormented Schramm, and his exploits are depicted in an unflinchingly gruesome and disturbing fashion. There are moments of horrifying gore and twisted sexuality that make most other serial killer pictures I've seen look like Disney, and an arty, non linear way of storytelling that takes the viewer right inside Schramms head. Its only sixty five minutes long, but its sixty five minutes with one of the most disturbing individuals imaginable. Having said this, there is a sweeter side to him, evidenced by his childhood memories and interactions with a prostitute from his apartment building. Much as I wanted to hate him, I couldn't help but feel a little sorry for Schramm, who can see better things but is trapped by inadequacy and fear into his doomed cycle of heinous acts. The score is dark and foreboding, maintaining a constant bleak atmosphere throughout the film, and since the movie always follows Schramm, its pretty compelling. My only criticism is that however artistically important it is, and its certainly a more intelligent portrait of a serial killer than Henry was, it isn't that enjoyable to watch. I felt very negative by the end of it, and its just a personal thing but I like to get a bit more fun out of movies. Still, pretty much essential viewing for serious horror and gore fans, and even art house fans who have the stomach for it. Just expect to be disturbed, very disturbed.