When his secret bride is executed for assaulting an English soldier who tried to rape her, a commoner begins a revolt and leads Scottish warriors against the cruel English tyrant who rules Scotland with an iron fist.
Oskar Schindler is a vainglorious and greedy German businessman who becomes unlikely humanitarian amid the barbaric Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp. A testament for the good in all of us. Written by
Harald Mayr <firstname.lastname@example.org>
To gather costumes for 20,000 extras, the costume designer took out advertisements seeking clothes. As economic conditions were poor in Poland, many people were eager to sell clothing they still owned from the 1930s and '40s. See more »
The bottle of Hennessy cognac as seen in the movie is the new shape released in 1990s. The original bottle shape was taller and had different label. See more »
[a Hebrew prayer is chanted, followed by a flashback to 1940s Poland]
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There are no opening credits after the title is shown. See more »
The most amazing thing about this film is that it was not made to be an epic or an acclaimed film. Spielberg made it as a personal film for himself and other Jews affected by the Holocaust. There is nothing flashy about the film except for Neeson's bravura performance. Spielberg's usual style is invisible, and the cinematography and editing, although excellent, are not shown off to make a spectacle of the film or give it an epic feel. Yet it is still a compulsive, involving, and utterly heart-wrenchingly moving filming of a part of history that should not be forgotten. The screenplay is one of the best ever written: it captures the stories of so many Holocaust survivors but without distracting from the main story at hand. The black and white photography and editing is perfect, and John Williams provides a perfectly subtle but nice music score. The acting is simply brilliant, with Liam Neeson towering as Oskar Schindler, and Ralph Fiennes bringing out the Nazi character Amon Goeth into full flesh. And Ben Kingsley and Embeth Davidtz give off excellent performances too. The film also has a lot to say about absolute power corrupting and spiraling out of control, and such a message of the film can be applied to any time and crisis, not just the Holocaust. This is not just one of the the ten best films ever produced, but it shall remain so for years to come, because its messages in terms of power and racism are applicable in any age.
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