The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
Oskar Schindler is a vainglorious and greedy German businessman who becomes an unlikely humanitarian amid the barbaric German Nazi reign when he feels compelled to turn his factory into a refuge for Jews. Based on the true story of Oskar Schindler who managed to save about 1100 Jews from being gassed at the Auschwitz concentration camp, it is a testament to the good in all of us. Written by
Harald Mayr <email@example.com>
After the little boy takes the saddle out of the car and after Schindler says thank you - he passes on some cigarettes to a Schutz-Staffel personnel at the camp and Schindler calls him "Rottenführer", but the rank/insignia of the SS man responds to a different rank called Sturmmann which is one rank lower than the Rottenführer rank. See more »
[a Hebrew prayer is chanted, followed by a flashback to 1940s Poland]
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The end credits are shot in black and white.
The Amblin Entertainment logo is absent and in its place instead is the credit: "From Amblin Entertainment".
The MPAA Rated R logo at the end does not have the regular blue background and is shown over the black screen. See more »
These words spoken by Amon Goethe (Ralph Fiennes) during the film can be aptly used to signify the themes of this film: power and forgiveness.
I am part of the post war generation who has been lucky enough not to experience any major war. And after watching this film, I have deep respect and feelings for those who suffered during these times, be it the Holocaust or the Nam war. This film was just waiting to be made and I'm glad it was the right man who dared to take up the challenge. Any other person would not have done it justice.
The film focuses on how a German named Oskar Schindler saved the lives of thousands of Jews by employing them to work in his factory during WWII. However, I feel the film's primary aim is not to show us Schindler's kindness but the horrors of war. There are some of the most true and graphic scenes here ever captured on celluloid. People being shot for no particular reason, hiding in fear, stripped and gased, abused......so much so that viewers watching it for the 1st time will be deeply affected. We have never got to see this "flip side" of the war in many Hollywood productions which only focuses on action and their unrealistic "gung-ho" heroes. ( Another excellent film would be "Saving Pte Ryan" by Spielberg again ) War and its horrors are finally and faithfully recreated for the audience.
Like the film Raging Bull, its shot beautifully in black and white to reflect the era and tone of the film. Liam Neeson and Ralph Fiennes are excellent, esp the latter for his frightening protrayal of Amon Goethe. The scene where they discuss about power is a classic and the subsequent one where Amon 'pardons' a young jew remains as one of my many favs!
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