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Ruby, a young woman, arrives in a Florida resort town during the off season to make a fresh start. She gets work as a sales clerk in a souvineer shop run by Mildred Chambers. She dates, and sleeps with, Ricky Chambers, Mildred's conceited son, but breaks off with him when she finds she's just another conquest. She gets involved with Mike, a left-wing greenhouse worker. As the seasons change, Ruby's relationships with others and herself go through metamorphoses as she makes choices and discoveries establishing her own identity. A character study. Written by
James Meek <firstname.lastname@example.org>
I remember 1993 as a year of great female performances. You had Angela Bassetts striking interpretation as Tina Turner in What's Love Got to Do With It; Debra Winger as the dying American Joy Gresham in Shadowlands; Winona Ryder manipulative as May Welland in The Age of Innocence; and the silent power in Holly Hunters performance in The Piano. But as great as these performances were, no performance was better than Ashley Judds, Ruby Lee Gissing in Ruby In Paradise.
What a GREAT film.
There are scenes in this film that ring a sense of truth to what we say and act on, in human nature, as "real" people and not of what Hollywood synthesizes the fake emotions of what human nature should be like. Take for example in the scenes where Ruby trying to be employed and make an existence for herself; trying to work for living. If this was a big Hollywood studio film, her character would be receiving monthly support payments from God. Ashley Judd, and director Victor Nunez, do a great dance of allowing the character to make choices that are truthful and not false.
Other film recommendations on similar themes see Erick Zonka's Dreamlife of Angels.
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