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| Gary Oldman | ... | Jack | |
| Wallace Wood | ... | Waiter | |
| Juliette Lewis | ... | Sheri | |
| David Proval | ... | Scully | |
| Will Patton | ... | Martie | |
| Gene Canfield | ... | John | |
| Larry Joshua | ... | Joey | |
| Michael Wincott | ... | Sal | |
| Lena Olin | ... | Mona | |
| William Duff-Griffin | ... | Paddy | |
| James Cromwell | ... | Cage | |
| Paul Butler | ... | Skouras | |
| Annabella Sciorra | ... | Natalie | |
| Tony Sirico | ... | Malacci | |
| Victoria Bastel | ... | Girl #1 | |
| Katrina Rae | ... | Girl #2 | |
| Joe Paparone | ... | Ginny | |
| Owen Hollander | ... | Stan | |
| Neal Jones | ... | Clerk | |
| Roy Scheider | ... | Don Falcone | |
| James Murtaugh | ... | Priest | |
| Gary Hope | ... | Driver | |
| Americo Mongiello | ... | Man #1 | |
| James Mongiello | ... | Man #2 | |
| Ron Perlman | ... | Jack's Attorney | |
| rest of cast listed alphabetically: | |||
| Ron Faber | ... | Hotel Manager (uncredited) | |
| Dennis Farina | ... | Nick Gazzara (uncredited) | |
| Michael Lepre | ... | Mob Guard #1 (uncredited) | |
| Pete Macnamara | ... | Mob Guard (uncredited) | |
| Stephen Tobolowsky | ... | District Attorney (uncredited) | |
Directed by | |||
| Peter Medak | |||
Writing credits(WGA) | ||
| Hilary Henkin | (written by) | |
Produced by | |||
| Tim Bevan | .... | executive producer | |
| Eric Fellner | .... | executive producer | |
| Michael Flynn | .... | co-producer | |
| Hilary Henkin | .... | producer | |
| Paul Webster | .... | producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Dariusz Wolski | |||
Film Editing by | |||
| Walter Murch | |||
Casting by | |||
| Bonnie Timmermann | |||
Production Design by | |||
| Stuart Wurtzel | |||
Art Direction by | |||
| W. Steven Graham | |||
Set Decoration by | |||
| Beth A. Rubino | |||
Costume Design by | |||
| Aude Bronson-Howard | |||
Makeup Department | |||
| Richard Alonzo | .... | special makeup effects artist | |
| Kathryn Bihr | .... | makeup artist | |
| Neal Martz | .... | special makeup department head | |
| Bernadette Mazur | .... | makeup artist: Ms Sciorra | |
| Andrea Miller | .... | makeup artist: Ms Olin | |
| Hiram Ortiz | .... | hair stylist | |
| Aaron F. Quarles | .... | hair stylist | |
| Linda Kay Rendina | .... | makeup artist | |
| Ronnie Specter | .... | makeup artist: Ms Olin | |
| Todd Kleitsch | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Carl Clifford | .... | unit production manager | |
| Leslie A. Leitner | .... | post-production supervisor | |
| Michelle Morrissey | .... | assistant production manager (as Michelle Weinberg) | |
Second Unit Director or Assistant Director | |||
| Michael DeCasper | .... | second assistant director | |
| Mark McGann | .... | first assistant director | |
| Juan Ros | .... | second second assistant director | |
Art Department | |||
| David H. Allen | .... | assistant property master | |
| Tommy Allen | .... | property master | |
| Michael L. Benson | .... | set dresser | |
| Claudette Didul | .... | assistant set decorator | |
| Jerry Kadar | .... | set dresser | |
| Jessica Lanier | .... | assistant set decorator | |
| Michael Leather | .... | set dresser | |
| Jacqueline Arnot | .... | set dresser (uncredited) | |
| Byron K. Lovelace | .... | set dresser (uncredited) | |
Sound Department | |||
| Gary Alper | .... | sound mixer | |
| G.W. Brown | .... | supervising adr editor | |
| Dane A. Davis | .... | supervising sound editor | |
| Tommy Goodwin | .... | adr mixer | |
| Tommy Goodwin | .... | foley mixer | |
| Walter Charles Gorey | .... | boom operator | |
| Tom Hammond | .... | foley editor | |
| Catherine Harper | .... | foley artist | |
| Matthew Iadarola | .... | sound re-recordist | |
| Ossama Khuluki | .... | foley artist | |
| Trillby Kim Lowe | .... | dialogue editor (as Kimberly Lowe Voigt) | |
| Walter Murch | .... | sound re-recordist | |
| John Rotondi | .... | sound engineer: Y4 | |
| Steve F.B. Smith | .... | stereo sound consultant: Dolby | |
| Todd Toon | .... | sound effects editor | |
Special Effects by | |||
| Mark Berg | .... | special effects | |
| Wilfred Caban | .... | special effects | |
| Steven Kirshoff | .... | special effects | |
Stunts | |||
| Norman Douglass | .... | stunts | |
| Jery Hewitt | .... | stunt coordinator | |
| Janet Paparazzo | .... | stunts | |
Camera and Electrical Department | |||
| Robert M. Andres | .... | key grip | |
| Jeremy Knaster | .... | electrician | |
| Jim McConkey | .... | Steadicam operator | |
| Phil Oetiker | .... | camera operator | |
| Bill O'Leary | .... | gaffer | |
| Charles Quinlivan | .... | grip | |
| Susan Starr | .... | assistant camera | |
| Donald Sweeney | .... | aerial photographer | |
| Robert Vuolo | .... | electrician | |
| Paul Wachter | .... | best boy grip | |
| Lamont Crawford | .... | grip (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
Costume and Wardrobe Department | |||
| Mark Burchard | .... | wardrobe supervisor: men | |
| David C. Robinson | .... | associate costume designer | |
| Laura Jean Shannon | .... | costume production assistant | |
| Susan J. Wright | .... | wardrobe supervisor | |
Editorial Department | |||
| Jeff Etcher | .... | assistant editor | |
| Joanna Lovinger | .... | post-production assistant | |
Music Department | |||
| Thomas A. Carlson | .... | music editor | |
| Stephen Krause | .... | scoring mixer | |
| Bill Pearson | .... | music engineer | |
Other crew | |||
| Al Cerullo | .... | helicopter pilot | |
| Asher Garfinkel | .... | assistant to producer | |
| Michele Giordano | .... | production coordinator | |
| Joseph E. Iberti | .... | location manager | |
| Jasmine Kosovic | .... | assistant production coordinator | |
| Tim Monich | .... | dialect coach | |
| Robin Squibb | .... | script supervisor | |
| Allen Wolf | .... | production intern | |
Thanks | |||
| Tom Waits | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section | Add this title to MyMovies |
One of my favorite lines from "Romeo Is Bleeding," an overlooked tribute to film noir. Jack Grimaldi(Oldman)is a crooked cop that rats info to the mob about the whereabouts of mob witnesses. He is also a louse of a husband, cheating on his wife(Sciorra)with a waitress (Lewis). Life, in his view, is good, especially when he gets the money from the mob, which he uses "To feed the hole" in his backyard. Then, one day, his life slowly goes on a descent to hell when he is assigned to watch over the deliciously wicked Mona(Lena Olin, who should have gotten an Oscar nod for this performance). Mona makes a proposition to Jack: Help her fake her death and he will be paid VERY well. The problem is that the mob, led by Roy Scheider, wants Jack to wipe her out, or they will wipe him out. What happens to the characters in this film is what makes this a very intense film. The scenes between Olin and Oldman are hot enough to burn a hole in your television screen. This is a must see film that you have to have in your collection.