At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex. A police detective, Web Smith is ... See full summary »
A 25 year old female White House staffer, Carla Town is murdered in the White House. D.C. homicide detective Regis is assigned to investigate, only to find all evidence suppressed by the ... See full summary »
An eccentric scientist working for a large drug company is working on a research project in the Amazon jungle. He sends for a research assistant and a gas chromatograph because he's close ... See full summary »
Jay Austin is now a civilian police detective. Colonel Caldwell was his commanding officer years before when he left the military police over a disagreement over the handling of a drunk ... See full summary »
Politics are already strained between English imperialists and the West African government of Kinjanja, when womanizing British diplomat Morgan Leafy (Colin Friels) is caught in bed with ... See full summary »
Shaw is an operative for the United Nations' covert dirty-tricks squad, using espionage and quasi-ethical tactics to secure peace and cooperation. When a shipping container full of dead ... See full summary »
At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex. A police detective, Web Smith is called in to investigate but before getting there, he gets a call from someone who instructs him to pick up John Connor, a former police Captain and expert on Japanese affairs. When they arrive there Web thinks that everything is obvious but Connor tells him that there's a lot more going on. Written by
The Sempai/Kohai relationship is touched upon during the movie, however there were a couple of problems. In Japan, "Sempai" is often used as an address and as a show of respect to one's superior. "Kohai", on the other hand, can be considered offensive when used to address someone directly, as it is "putting someone in their place." Hence Sean Connery's character effectively insults Wesley Snipes' character throughout the movie. Given that Connery's character is supposed to be well versed in Japanese customs, this action should be taken very seriously. "Kohai" is normally used as a reference, not an address. For example: Wesley is the Kohai of Sean. See more »
In the movie, a character describes the US government blocking the purchase of Fairchild semi-conductor by Fujitsu and its later sale to a French company. The US government did exert pressure on the sale and made it clear that the sale would be difficult to complete, which is why Fujitsu withdrew, however when Fairchild was sold, it was sold to National Semi-conductor, an American company, not a French company as suggested by the film. See more »
When you start to get into trouble, I will say, 'Perhaps I can be of assistance?' From then on, I do the talking. You stand behind me. And don't appear distracted. We may come from a fragmented, MTV rap-video culture, but they do not. Every aspect of your appearance and behavior will reflect on you, the Department, and me as your sempai.
That wouldn't be massa', would it?
No. The sempai is the senior man who guides the junior man, the kohai. In Japan, the sempai-kohai ...
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There is a credit in Rising Sun thanking "The MIT Leg Lab" and "Marc Raibert and his Running Team." This refers to a short scene where the two detectives go out to a fancy-looking research lab (really a water treatment plant; also used as the set for Starfleet Academy on the TV series "Star Trek - The Next Generation). In the background of some of the shots there are two legged robots: one hopping in a circle in a tea-house; the other bouncing up a garden path. These robots are actually academic research projects from the MIT AI Lab's Legged Locomotion Lab. They really do hop about and maintain their balance. Power comes from off-board hydraulic pumps (hence the guy in the background (me!) pulling hoses for the robot), and body attitude is sensed with gyroscopes. A human with a joystick tells the robot what direction to go, and the control algorithms (which are the real subject of Leg Lab research) maintain speed, direction, and balance. However, the robots aren't designed for special effects. They're always being modified, and they tend to break down frequently. This made shooting in the hot july sun of the San Fernando Valley a real nightmare, with transputers crashing in the heat, stuck gyros, and hydraulic leaks. Three grad students and a professor worked steadily for about a month before Hollywood, and then five days on the set and on location to get the robots in about 15 seconds of film. The credits are: Marc Raibert (our prof), and Charles Francois, Rob Playter and Lee Campbell (me) who are students. We three students appear in the film in white lab coats acting like Robot Scientists!! See more »
This movie is not always easy to understand but if you give it a couple of looks, which it is worthy of doing, all the pieces finally fit and it's a good two hours of entertainment.
This modern-day crime movie may have a lack of action compared to others of its genre but it never loses your attention. Sean Connery, Wesley Snipes and Harvey Keitel star, along with Cary-Hiroyuki Tagawa, Kevin Anderson, Mako and Tia Carrere. This is a high-tech story (at least for 1993) as two cops try to figure out who murdered a woman. It's Japanese-big business-politics intrigue with surveillance cameras being the key to figuring out a murder.
Connery and Snipes complement each other as a "buddy" cop duo with Connery being mostly responsible for making this story interesting. The still-suave ex-James Bond plays the cool veteran and it's fun to watch him operate.
The only complaint I might have is the ending, a stupid romance-type story with Snipes and Carrere that was very post-climactic and not needed.
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