Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught youth performs the operation on his girlfriend after she's killed in a motorcycle accident.
A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
A cop chases two hippies suspected of a series of Manson family-like murders; unbeknownst to him, the real culprits are the living dead, brought to life with a thirst for human flesh by chemical pesticides being used by area farmers.
Colonel Reynolds and his group of government scientists continue their work on re-animating the dead for military use. His son Curt and his girlfriend Julie use Dad's security pass to sneak in and watch the proceedings. Later when father and son have a disagreement, Curt and Julie take off on a motorcycle and Julie is killed in an accident. Grief-stricken, Curt takes her body to the lab and brings her back to life. Curt must help Julie deal with her new existence as military agents and local gang members try to find them. Written by
Ed Sutton <email@example.com>
Director Brian Yuzna on the DVD commentary regrets not coming up with a more proper name for the film as "Return of the Living Dead III" is too long. He suggests the title "Kurt and Julie" and admits that the title "Mortal Zombie" (which it was called in some places in Europe) is a nice name. See more »
(at around 15 mins) Immediately after the teens are making love, Curt rolls off of Julie, only to reveal that she somehow has been making love with black panties on the entire time. See more »
Curt, a GenXer army brat, is madly in love with Julie, a Gothy punk girl with a fascination for the morbid. In order to impress her, Curt swipes his dads clearance card and the two lovebirds sneak into the high security testing facilities of the military base. Curt's dad, a high ranking military official, is involved in some pretty sick experiments which center around the reanimating powers of the chemical known as 245 Trioxin. After witnessing a gruesome resurrection, Curt and Julie flee, have sex and find out that Curt's dad is being transferred. Rather than be torn asunder, the two run away together. But a terrible motorcycle accident cuts their plans - and Julie's life
short. Now it's back to the base to reanimate his beloved, but even
though the resurrected Julie seems normal, it's only a matter of time before her dead body rots, and her human emotions are replaced with an insatiable hunger for living human brains.
This third installment in the ROTLD series avoids the campy black comedy of the first film, and the utter stupidity of the second. It falls somewhere right smack between the two and ends up being halfway decent. There's some great scenes of cutting, scarification and body mutilation as Julie discovers that self inflicted pain can temporarily curb her nasty appetite. Whether or not this was an intentional comment on the habits of GenX teens to mutilate themselves to curb feelings of depression, I don't know, but it's quite effective and, considering that this came out in 1993, rather timely as well. Julie ends up resembling a Cenobite rather than a zombie, decked out in leather, chains and broken glass, but I'm not complaining. There's a LOT of gore, most of which takes place in the military labs as zombies are fitted with harnesses, lobotomized with power drills, held together with metal exoskeletons and, in general, end up resembling an S&M orgy gone horribly wrong. It's pretty nasty, graphic stuff, but the zombies themselves are pretty cool looking, especially one who ends up looking like a freaky, bipedal giraffe.
The story isn't anything new, but some of the acting (especially that of Mindy Clarke as Julie) is pretty good and the zombie effects are impressive. The ending is a downer, but not as grim and disheartening as it could have been.
All in all, it's fairly enjoyable. It's much better than Part 2 was, anyway.
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