When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
A rule bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWII Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude. Written by
Keith Loh <email@example.com>
Much of the interior action of Darlington Hall was shot at Powderham Castle, near Exeter, for six hundred years the seat of the Courtenays, Earls of Devon. Several key scenes take place in the staircase hall, a spectacular interior of the 1750s with virtuoso rococo plasterwork, the molding picked out in buff against a background of luminous aquamarine. Other interiors which were featured in the film include the Music Room, a masterpiece of Neoclassical design by the celebrated architect James Wyatt; the Library, an elegant twin-room apartment dating from the Regency period; the Ante Room, furnished with magnificent Baroque bookcases of the 1740s; and the State Bedroom, containing a giltwood four-poster bed with crimson velvet drapes, the tester surmounted by an Earl's coronet. See more »
As the camera recedes in the final aerial shot departing from the estate, it briefly reveals a modern, silver-colored hatchback automobile backed up to the left end of the building. See more »
If two members of staff have to fall in love and decide to get married, there's nothing one can say. But what I do find a major irritation are those persons who are simply going from post to post looking for romance.
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The crowning achievement of the Ismail Merchant/James Ivory partnership and their entire production team who give their absolute best in original music, cinematography, editing, art and set direction, costumes, and, of course, screenplay by Merchant/Ivory regular Ruth Prawler Jhabvala. Add flawless performances from the all-star cast and the result is almost too perfect. But there is just enough humility to this sad tale of unrequited love to make it completely believable.
Anthony Hopkins excels as the impenetrable Mr. Stevens, Butler of a lordly country house in the final days of the British Empire, and Emma Thompson is superb as his foil, Housekeeper Miss Kenton. Both give wonderfully deep, sensitive portrayals of two complex lonely people who don't realize, until it's too late, that they belong together. Swirling around them is fascinating drama of life upstairs and downstairs and there are as many surprises and sub-plots to the story (based on a novel by Kazuo Ishiguro) as there are secret passages, nooks, and crannies in "Darlington House."
An all-round first-rate cinematic experience, "Remains of the Day" is one of those pictures that lingers in the mind long after the credits pass. A must see. One poignant note: this was the return to the big screen of actor Christopher Reeve, as American millionaire Congressman Lewis, whose life nicely frames the storyline. Two years later Reeve became paralyzed after being thrown from a horse.
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