When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
A rule bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWII Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude. Written by
Keith Loh <firstname.lastname@example.org>
The character played by Christopher Reeve in the film is a composite of two different people: in Kazuo Ishiguro's novel, Stevens' new employer is an American by the name of Farraday, and has nothing to do with Mr. Lewis, the Senator. See more »
We see a dozen bottles of Graham's Port being delivered for the banquet - but the port would have been cellared for at least six months before being decanted - vintage port is undrinkable immediately after being transported; and later Stevens takes (and breaks) a bottle of Dow 1913 vintage port- but no producers declared a vintage in that year. 1912 was a vintage year, and the next one was 1917. See more »
In my philosophy, Mr. Benn, a man cannot call himself well-contented until he has done all he can to be of service to his employer. Of course, this assumes that one's employer is a superior person, not only in rank, or wealth, but in moral stature.
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This movie is James Ivory's best, and one of Anthony Hopkins' and Emma Thompson's better films.
Did you ever care to know what British upper class life was like in past centuries for both nobility and gentry (their servants?) This show humanizes life for them all, revealing their common foibles and their collective challenges.
One would think that Hopkins would be the quintessential casting choice for a high quality 19th or 20th century British butler. He admits that it is a role that he had to study since he has never had a butler, or known one. Well, he did a superb job.
Emma Thompson performs spectacularly as romantic interest and head housekeeper. Believability is her byline.
Altogether a well-rounded cast, and an excellent production that captivates, entertains and entrances. You'd almost want to trade lives with most any of the characters, for better or worse.
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