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When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
A rule bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude. Written by
Keith Loh <email@example.com>
Butler James Stevens, portrayed in the film by Anthony Hopkins, examines his 'life with the eye of hindsight as he embarks on a journey to the seaside town where he hopes to catch up with Miss Kenton ('Emma Thompson') and to perhaps engage her again as the housekeeper of Darlington Hall. "Like most road stories, it's a journey into himself," explained Kazuo Ishiguro, who wrote the prize-winning novel of the same name on which the film is based, "a journey into his past". Ishiguro notes: "Travel gives Stevens a certain perspective that allows him, for fleeting moments, to drop the defenses of self-deception and see through some of the stories he has told himself all his life about who he is and what he has done". In the 1930s, Stevens was proud to serve his master's cause. As the years pass and new, more accurate information becomes available, Stevens' pride diminishes. Ishiguro adds: "Lord Darlington is used as a pawn by the Nazis because he yields to a common aristocratic urge to contribute something large to the world. He is somebody who starts off with very good and noble impulses, but because of a certain kind of naiveté, which almost all of us would share, he becomes a pawn". See more »
When Mr. Stevens is serving at the banquet, he stands behind Lord Darlington's chair empty-handed. Then he suddenly leaves the room to receive news of his father's death, but at the end of this scene he now has a decanter in his hand, which isn't used until the next scene when the guests have left the banquet, and have been in another room for quite some time. See more »
There was this English butler out in India. One day, he goes in the dining room and what does he see under the table ? A tiger. Not turning a hair, he goes straight to the drawing room. "Hum, hum. Excuse me, my lord," and whispering, so as not to upset the ladies : "I'm very sorry my lord. There appears to be a tiger in the dining room. Perhaps his Lordship will permit use of the twelve bores ?" They go on drinking their tea. And then, there's three gunshots. Well, they don't think nothing of ...
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Excellent film that was overlooked in 1993 due to the dominance of "Schindler's List", "The Remains of the Day" is an exquisite film which examines the relationship between two servants in England (Anthony Hopkins and Emma Thompson, both Oscar-nominated). They both definitely have feelings for each other, but both seem to be bound by duty, honor, and society. Hopkins is not the type of person who shares his inner-most feelings with anyone and Thompson wants to share her hidden love for Hopkins, but is frightened for various reasons. The fact that the film is told during flashbacks which took place just before the involvement of England in World War II just makes everything that much more interesting and heart-wrenching. During the present-day of the movie it appears that Hopkins and Thompson will finally proclaim their love for one another, but in the end that is not even a real certainty. Ruth Prawer Jhabvala's adaptation of the novel is exceptional and James Ivory's direction has rarely been better or more focused. With all this said, it is Hopkins and Thompson that dominate the action and make "The Remains of the Day" one of the best films of the 1990s. 5 stars out of 5.
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