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A rule bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWII Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude. Written by
Keith Loh <firstname.lastname@example.org>
Very deliberate but marvelous study of a lifetime butler in an English noble household. The film does a wonderful parallel examination of the man's life set against the tumult of the 1930s that effectively did away with the British Empire and made him and others like him, as people curiously obsolete.
An extremely rare example of sanity when dealing with the subject of War. Most films as we know too well, concentrate on the futility and bottom line cost in humanity, which is to be expected since generally speaking, an artist will always present this point of view. However in most cases, it's an incomplete and wildly immature handling of the topic. This film addresses if you can believe it, the folly of avoiding War thru appeasement, and hammers home what might have been avoided if the British had called Hitler to the carpet early on, instead of playing chess with him. This is the backdrop; the main story is that of the butler, Stevens, an ostensibly simple character played with unimaginable complexity, by Hopkins. The fascinating examination of one man's sense of duty, a devotion that transcends all other obligations and aspirations in his life has never been so poignantly or expertly presented to an audience. Everything about the film, the supporting cast in particular is a rousing triumph. I cannot overly recommend this.
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