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A young scientist working on an artificial intelligence project is the target of strange gremlin-like creatures, who are out to kill him and thus terminate his research. By coincidence, in one of the rooms he uses, there's a mysterious case containing the puppets of the "puppet master". When the puppets are brought to life, they help destroy the creatures. Written by
I remember not particularly caring much for the rest of Full Moon's direct-to-video Puppet Master films that followed on after third instalment, but I managed to come across Parts 4 and 5. I had inkling to see if I still felt the same way and after getting through the fourth film it was actually better than I remembered. Nevertheless I didn't really liked how the puppets are turned into the good guys (although you could say that was the case in the third film, but I preferred that one's revenge angle) facing off against a Sutek the ancient Eygptian God and its minions that can control totems, but credit is due to somewhat (as some familiar staples do crop up) not completely repeating itself. Directed by Jeff Burr (a regular to the genre and to sequels who would also direct the back-to-back made filth film), does quite competently polished if mechanical job, knowing that it's the puppets themselves that are the main attraction, as the animation is well-executed and the personalities of each one of them standing out with Blade taking centre stage. I always find something unsettling about the puppet Six Shooter and his laugh and again it's no exception here. The only two that didn't appear were leech woman and torch.
The whole angle has the puppets finding a new master and protecting him from the demon who wants to destroy the late Andre Toulon's work and the tone has kind of changed, while some dark glimmers I didn't find it all that creepy (with nastiness mainly occurring off-screen) and even the cliff side hotel they occupy doesn't have that dominating presence either. Some instances fell on the funny side, but the change of pace and whole drama moves by quick enough. Also it looked like it had a little more money behind it and Richard Band chimes in with an airy, majestic score. Reasonable performances by Gordon Currie and Chandra West in the leads with Guy Rolfe returning as Andre Toulon.
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