| Photos (See all 12 | slideshow) |
| Ron Marquette | ... | Whiley Pritcher | |
| Bert Williams | ... | Bob Hodges | |
| Leigh Hunt | ... | Intersect Host | |
| John Renshaw | ... | Jock Talk Host | |
| Jessie | ... | Jock | |
| Jennifer McManus | ... | Receptionist | |
| Brandon Boyce | ... | Kevin Havey | |
| Dina Brooks | ... | Rachel | |
| Craig Stovall | ... | Cameraman #1 | |
| Bruce Germaine | ... | Cameraman #2 | |
| Margaret Kerry | ... | Marge | |
| Elizabeth Ince | ... | Tatting Tales / Our Town Caller | |
| Charles Kavanaugh | ... | Mayor Breyer | |
| Randall Slavin | ... | Pudd | |
| Liz Dilts | ... | Lisa | |
| Heidi Van Lier | ... | Heather | |
| John Ellis | ... | Russ | |
| Shawn Ellis | ... | Drug dealer | |
| Christopher McQuarrie | ... | Cop #1 / Our Town Caller | |
| Matt Jacobson | ... | Cop #2 (as Matthew Jacobson) | |
| Ross Collins | ... | Man with Baby | |
| Virginia Perry | ... | Mayor's Daughter | |
| Mark Norling | ... | Lyle Macintosh | |
| Larry Maxwell | ... | Jeff Abernathy | |
| Jason Valance | ... | Tray | |
| Prentiss Hallenbeck | ... | Our Town Caller | |
| Dan Spahn | ... | Our Town Caller | |
| Diane Spahn | ... | Our Town Caller | |
| Adam Ripp | ... | Our Town caller (as A.J. Ripp) |
Directed by | |||
| Bryan Singer | |||
Writing credits | ||
| Christopher McQuarrie | (writer) & | |
| Bryan Singer | (writer) & | |
| Michael Feit Dougan | (writer) | |
Produced by | |||
| Kenneth Kokin | .... | producer | |
| Adam Ripp | .... | co-producer | |
| Bryan Singer | .... | executive producer | |
Original Music by | |||
| John Ottman | |||
Cinematography by | |||
| Bruce Douglas Johnson | |||
Film Editing by | |||
| John Ottman | |||
Casting by | |||
| Dean Jacobson | |||
Production Design by | |||
| Jan Sessler | |||
Art Direction by | |||
| Bruce Sulzberg | |||
Costume Design by | |||
| Jennifer McManus | |||
Makeup Department | |||
| Joe Colwell | .... | textile artist | |
| Terri Goett | .... | makeup artist: second unit | |
| Stacy Minkin | .... | key hair stylist | |
| Stacy Minkin | .... | key makeup artist | |
| Patricia Parsons | .... | additional hair stylist | |
| Patricia Parsons | .... | additional makeup artist | |
Production Management | |||
| Betsy Chasse | .... | production manager | |
| Peter Diamond | .... | unit production manager: pre-production | |
Art Department | |||
| Randall Slavin | .... | sketch artist | |
| Diane Spahn | .... | property master | |
Sound Department | |||
| Dean Andre | .... | sound effects editor | |
| Michael Bernard | .... | dialogue editor | |
| Doug Chapin | .... | sound re-recording mixer (as Douglas M. Chapin) | |
| Scott Edelson | .... | boom operator | |
| Adam Joseph | .... | production sound mixer | |
| Mark Lanza | .... | sound designer (as Mark A. Lanza) | |
| Mark Lanza | .... | supervising sound editor | |
| Bill Noland | .... | adr recordist | |
| Bill Noland | .... | foley mixer | |
| Bill Noland | .... | foley recordist | |
| Jon Oh | .... | foley artist | |
| Brian Slack | .... | sound consultant: Ultra Stereo | |
| Sean Sullivan | .... | boom operator | |
| Stephen Tibbo | .... | sound mixer: second unit | |
| Cliff A. Zellman | .... | sound re-recording mixer | |
Special Effects by | |||
| Jake 'The Snake' McKinon | .... | special effects | |
| Landa Somerville | .... | assistant special effects | |
Camera and Electrical Department | |||
| Christopher Baffa | .... | chief lighting technician | |
| Charles Blackwell | .... | additional photographer: second unit | |
| Charles Blackwell | .... | first assistant camera | |
| Clay Essig | .... | dolly grip | |
| Craig Finetti | .... | second assistant camera: second unit | |
| Paul Gordon | .... | clapper loader | |
| Laura Hallenbrook | .... | still photographer | |
| Matt Jacobson | .... | electrician (as Matthew Jacobson) | |
| Matt Jacobson | .... | key grip (as Matthew Jacobson) | |
| Jeff Keiser | .... | first assistant camera: second unit | |
| Kelly Kemp | .... | best boy grip | |
| Alan Koshiyama | .... | second assistant camera | |
| Kenji Luster | .... | additional assistant camera | |
| David Rosner | .... | assistant camera | |
| Scott Storm | .... | additional photographer: second unit (as Scott A. Storm) | |
| Tom Van Otteran | .... | director of photography: second unit | |
| Dennis Yeager | .... | focus puller | |
Editorial Department | |||
| Peter Geissler | .... | first assistant editor | |
Music Department | |||
| Dean Andre | .... | music editor | |
| John Ottman | .... | orchestrator | |
| Leigh Phillips | .... | orchestrator: new score | |
| Cliff A. Zellman | .... | score engineer | |
| Cliff A. Zellman | .... | score mixer | |
Transportation Department | |||
| Matthew R. Altman | .... | transportation coordinator | |
Other crew | |||
| Brian Ballard | .... | firearms consultant | |
| Cathy Connor | .... | script supervisor | |
| Signe Corriere | .... | production coordinator | |
| Paul Greenberg | .... | production assistant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Drifter rolls into town, and by way of a local access TV show, begins to touch nerves in smug "Smalltown, USA."
Ron Marquette delivers a very strong performance as Whiley Pritcher, the enigmatic drifter. His portrayal is a mix of thoughtfulness and menace.
The director, Bryan Singer, tells the story, slowly, deliberately, layer by layer. A keen eye for rhythm and pacing, for the building of suspense. I found the film a strong cautionary message, for those who foolishly abide blind faith in our elected "leaders."
Compared to his future endeavors, PUBLIC ACCESS is lighter in intensity, yet still strong in effect.