Brewster seems to be an almost too perfect example of idyllic small-town America, with everyone living in peace and harmony. So when newcomer Whiley Pritcher starts up his own local cable ...
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Grandpa Sam Dracula is essentially Dracula who assembled Herman because no man was good enough for his daughter Lily, a sexy vamp. Lily's niece Marilyn the freak is actually normal and Lily... See full summary »
Portia de Rossi,
Brewster seems to be an almost too perfect example of idyllic small-town America, with everyone living in peace and harmony. So when newcomer Whiley Pritcher starts up his own local cable TV show with the question "what's wrong with Brewster?", there surely can't be any deep dark secrets in the town that are just waiting to come to the surface - or can there? And when the question becomes "who's wrong with Brewster?" things start getting seriously nasty Written by
Michael Brooke <email@example.com>
Flawed but interesting debut from the Singer/McQuarrie team.
Fans of the brilliant 'The Usual Suspects' will no doubt be curious to check out the first movie by its director Bryan Singer and writer Christopher McQuarrie. While no where near as assured as that movie or McQuarrie's subsequent underrated directorial debut 'The Way Of The Gun', it has enough going for it to make it worth tracking down. Ron Marquette's impressive performance as the enigmatic Whiley Pritcher is by far the best thing about the movie. He displays plenty of charisma and acting chops which makes his suicide a couple of years after the release of 'Public Access' all the more tragic. Pritcher is a stranger who moves into Brewster, a seemingly average small town and begins broadcasting a show on a local public access TV station. His probing into the dark side of Brewster causes a lot of debate and some hostility, especially when he aligns himself with the town's Mayor. So far, so good. The first half of the movie is very well done and makes fascinating viewing. After that, while the mood turns darker and more violent, it also gets increasingly less compelling, and to me ultimately very anti-climactic. Marquette is good throughout but can't salvage the uneven script which doesn't seem to explore the interesting premise enough to make this one anything special. The frequent comparisons to David Lynch circa 'Blue Velvet' are not entirely off-base, but unfortunately 'Public Access' flounders way before it finishes. Nice try though, and still worth viewing.
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