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The story of a disabled beggar in Charleston,S.C. who falls in love with a prostitute, this is the first filmed version of Gershwin's opera which uses Gershwin's own orchestrations and practically all of the music, with only one major cut. Written by
Albert Sanchez Moreno
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Trivia
Contrary to what some reviews say, this production was videotaped, not filmed, and taped not on location but entirely on studio soundstages.
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Quotes
Sportin' Life:
[
singing]
I ain't telling you nothin', But a woman that's got just one man, maybe she got him for keeps. But when she got two men, there's mighty apt to be a carvin'. Then the cops come in and takes the leavin's. And pretty soon, she ain't got none!
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Connections
Version of
Porgy and Bess (1959)
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Soundtracks
"Finale: O Lawd, I'm On My Way"
Music by
George Gershwin
Lyrics by
DuBose Heyward
Sung by Willard White, Marietta Simpson, Cynthia Clarey, Mervin Wallace, Maureen Breathwaite and Chorus
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This production is a collector's item. Stage or other productions of Porgy and Bess are rare.
I concur in the reviews above except the first, which I find a bit too demanding. The production, due to the curious solution regarding the casting, really can't be considered as "perfect," but it is truly remarkable. It is otherwise as good as a television adaptation of an opera can get. Will anyone ever attempt Scott Joplin's Treemonisha?
To answer one concern, that it is overly romantic? Well, yes, the story is indeed romantic --- the essence of the story is a romance. One could remark that the setting is "romanticized," not truly representative of the Low Country Gullah culture, but this interpretation seems too limiting and unappreciative of the contributions of Gullah culture which Heyward and the Gershwins sought to reflect. The wonderful stories of The Song of the South (which are based on Gullah stories) have been basically lost due to the virtual "blacklisting" of that production. It does thankfully seem that Porgy and Bess has avoided this obstacle.