Critic Reviews



Based on 20 critic reviews provided by
Poetic Justice is not ["Boyz N the Hood's"] equal, but does not aspire to be; it is a softer, gentler film, more of a romance than a commentary on social conditions.
San Francisco Chronicle
It's safe, and it's smart, and even though it's lightweight compared to "Boyz" and bound to disappoint a lot of Singleton's admirers, Justice demonstrates that Singleton is more than a one-shot wonder. [23 Jul 1993]
Subtitled “A Street Romance,” writer-director Singleton's sophomore effort touches the heart more when it's on the street than when it's making romance.
If Singleton, 25, stumbles, it is over ambition and not the complacency of a new Hollywood hotshot riding a trend.
USA Today
John Singleton's bizarre but viewable Boyz N the Hood follow-up is surprisingly gooey going. [23 Jul 1993]
Boston Globe
While it's altogether smaller in its ambitions and achievements than Singleton's terrific "Boyz N the Hood," it at least allows Janet Jackson to emerge as a sympathetic presence, more credible than most pop singers making movie debuts. [23 July 1993]
Some of Poetic Justice is quite good, if unspectacular, and the dialogue has a consistent ring of truth.
Overall, this is a fuzzy, unfocused drama that bites off more than it can chew, or viewers can digest.
The Globe and Mail (Toronto)
Poetic Justice is like that - so much worse than it should have been, and yet, for brief shining moments, so much better than any other 2-star film in sight. [23 July 1993]
With Poetic Justice, John Singleton has (at least temporarily) lost his way, but he may have found an actor [Shakur] who can help lead him back.
Made more than two years ago, this is nowhere near as well thought out as its predecessor ["Boyz N The Hood,"] and is far more strained in making its point.

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