A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
In 'Gegen die Wand' Cahit, a 40-something male from Mersin in Turkey has removed everything Turkish from his life. He has become an alcoholic drug addict and at the start of the movie wants... See full summary »
It is the mid-nineteenth century. Ada is a mute who has a young daughter, Flora. In an arranged marriage she leaves her native Scotland accompanied by her daughter and her beloved piano. Life in the rugged forests of New Zealand's South Island is not all she may have imagined and nor is her relationship with her new husband Stewart. She suffers torment and loss when Stewart sells her piano to a neighbour, George. Ada learns from George that she may earn back her piano by giving him piano lessons, but only with certain other conditions attached. At first Ada despises George but slowly their relationship is transformed and this propels them into a dire situation. Written by
Patrick Dominick <email@example.com>
Jane Campion became the first woman to win the prestigious Palme d'Or at the Cannes Film Festival with this film, though she was unable to receive the award in person as she was due to give birth. See more »
When the boat leaves the island, Ada trails her hand in the water, which is still and calm. On long shots, it is foaming from the action of the oars, and the boat on the water. See more »
The voice you hear is not my speaking voice - -but my mind's voice. I have not spoken since I was six years old. No one knows why - -not even me. My father says it is a dark talent, and the day I take it into my head to stop breathing will be my last. Today he married me to a man I have not yet met. Soon my daughter and I shall join him in his own country. My husband writes that my muteness does not bother him - and hark this! He says, "God loves dumb creatures, so why not I?" '...
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Jane Campion's Oscar-winning movie follows Ada (played by Holly
Hunter), an immigrant to the New Zealand outback and an arranged
marriage, who has not spoken for years and lives her life through the
sound of her piano. Her husband (played by Sam Neill) is a man without
much understanding, who tries to break the connection between his new
wife and her piano; in contrast to him is the wild illiterate Baines
(played by Harvey Keitel), a tattooed loner, who reaches into Ada's
soul and helps her to regain contact with her emotions and ultimately,
her voice too.
The film is visually compelling, with its muted colours and wide open
spaces, and uses the soundtrack by Michael Nyman in such a way so all
the elements fit together. Keitel and Hunter give excellent
performances within a sensitive and sensual screenplay, while Anna
Paquin is impressive as Ada's wise daughter, always watching and always
aware. Campion managed to make the story touching, involving, and sexy,
and it well deserved the plaudits heaped on it.
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