Anthony Caruso, an old friend of Perry Mason, comes to Denver on the request of Dee Morrison. She's married to famed photographer David Morrison, who wants to shoot a photo featuring his ... See full summary »
Perry is sueing a gutter trash newspaper that is running a story about a love affair between him and Della. The editor also has "dirt" files on an Army General, his banker and other "... See full summary »
Thatcher Horton is owner of a Denver sports arena and a couple of sports teams. Bobby Spencer a friend of Ken was one of his hockey players. It seems that Horton verbally promised him that ... See full summary »
When Perry is unable to deliver a speech at a conference he calls Bill McKenzie to offer him a hotel etc in exchange for delivering the work. Also at the hotel is filming for the newest ... See full summary »
William R. Moses
Dr Sheila Carlin is good friends with Della who calls Perry in when she is being pestered by someone. On the theory that it could be somebody that she works with at a radio stations she ... See full summary »
Christian I. Nyby II
William R. Moses
Anthony Caruso, an old friend of Perry Mason, comes to Denver on the request of Dee Morrison. She's married to famed photographer David Morrison, who wants to shoot a photo featuring his former models. The tricky thing is that all of his former models are also his former wives. But Dee knows Anthony can convince them to do it which he does. And David shoots them. Later Dee catches David it what appears to be in an inappropriate situation with his assistant. They have an argument and she leaves. Later David is found dead and she's arrested and Anthony defends her. And he suspects it could have been one of the wives. Written by
This is the first Perry Mason mystery filmed after Raymond Burr's Death. Tony Caruso, Paul Sorvino's role, was named after the actor Anthony Caruso; the writers combined his part with Burr's rather than recasting the Perry Mason role, as a tribute. See more »
Badly mis-judged film that just makes you miss Burr more than ever
Perry is away in Washington so Anthony Caruso covers his practice for him for a short while. Anthony is busy helping out his friend David Morrison to bring together al his old models for a retrospective photography collection. However David's ex-models are all his ex-wives and the animosity between them is very clear. On the first night of the shoot a witness sees David's current wife kill him and flee the scene. Anthony believes she is innocent and steps in to defend her. Meanwhile Ken goes after another woman who may have been having an affair with David and has since vanished.
Perry is `in Washington' for this film, which sounds like something you'd tell a child instead of having to explain that Granny has died. Indeed that is the case as Burr was dead and never made another Mason movie. However rather than have the taste and sense to finish the series, the producers decided to spin it out. In this instance that decision was ill-advised. The plot doesn't work. In order to get Anthony involved in a big case, it as to be with people he knows thus the tortuous opening where he gets all the ex-wives together. This makes the film feel ill at ease with itself Anthony never really rips into or exposes the suspects as they are all friends plus none of the group seem to struggle with this at all, making it seem like they are strangers. Malansky's investigation is long and dull with moments thrown in just to try and liven things up a bit.
The conclusion is silly even by the standards of this series. Would you take something from the murder scene? Would you have it on you when you are in the witness box? No? Well the guilty party does and it is this that traps them it's daft and he/she is totally unbelievable and it feels so very lame that it's hard to really care!
Sorvino is an interesting choice to play in the lead but he doesn't work. It doesn't feel natural having him walk round singing while one of his friends is a murderer and too much is made of him being an Italian. Aside from that I found it very hard to shake the image of Goodfella's Paulie from my brain and half expected him to order Ken to whack somebody! Sorvino struggles with a role that ties him into a case emotionally but doesn't allow him to express anything I suspect he didn't want a second try and he didn't return for another role in the series. Moses is OK as is Hale but they are exposes without Burr and Hale has little to do. The support cast are OK but none are as interesting as the usual array of red-herrings etc. They are only good as eye candy as they are a few models etc Johnson standing out cause she looks a lot better here than she has recently!
Overall this is a pretty poor film and it highlights how good burr was in holding everything together in a familiar way. This has a plot that is a bit of a mess, characters who don't ring true in a silly situation and the whole thing just crawls to it's dumb climax, by which time I'd long since given up caring!
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