Two Supreme Court Justices have been killed. Now a college professor, who clerked for one of the two men, who's also having an affair with one of his students, is given a brief by her, that states who probably, wanted to see these two men dead. He then gives it to one of his friends, who works for the FBI. When the FBI director reads it, he is fascinated by it. One of the president's men who read it, is afraid that if it ever got out, the president could be smeared. So, he advises the president to tell the director to drop it, which he does. But later the professor and the girl were out and he was drunk and when he refused to give her the keys she stepped out of the car. When he started it, it blew up. She then discovers that her place has been burglarized and what was taken were her computer and her disks. Obviously, her brief has someone agitated. She then turns to her boyfriend's friend at the FBI, he agrees to come meet her but before he does someone shoots him and takes his place... Written by
When Gray is replaying the Pelican Brief recording, at the end he turns off the recorder according to the sound of Darby not talking anymore. The recorder button is already shown as off and he pushes the play button. This shot should have been shown at the beginning of his recap. See more »
Any of those signs got my name on 'em?
Quite a few.
What do they say?
The usual: Death to Rosenberg, Retire Rosenberg, Cut off the oxygen.
That's my favorite. Of course you, Mr Grantham, did pretty good by me your last time out: Rosenberg equals the government over business, the individual over government, the environment over everything. And the Indians? Oh, give 'em whatever they want.
Well with all due respects sir, that wasn't my line, that was a quote.
From one of your...
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You gotta love Alan Pakula. His Pelican Brief is true to the source material but manages to complement it with artfulness learned from Hitchcock and the events portrayed in All The President's Men (also directed by Pakula).
The result is a thriller which never has to resort to the hackneyed or the obvious. Even the chase scene in a car park manages to be a little different.
He has casted brilliantly (perhaps Fletcher Coal should have been older?) but his masterstroke is commisioning James Horner to provide the score. At times sparse and at others boldly chromatic it jangles the nerves as Julia and Denzel duck and weave their way through a maze of unease.
A great way to spend two hours.
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