On Christmas Eve, a little girl named Marie (Cohen) falls asleep after a party at her home and dreams herself (or does she?) into a fantastic world where toys become larger than life. Her ... See full summary »
Ray, an ex-con and widower, is planning a coin heist with two accomplices to help him to buy his own bakery. However, he doesn't expect his son Timmy, who was living with Ray's sister, to ... See full summary »
A cowardly boy who buries himself in accident statistics enters a library to escape a storm only to be transformed into an animated illustration by the Pagemaster. He has to work through obstacles from classic books to return to real life.
Canan J. Howell
"WishKid" was a Saturday morning animated series created to play off the success of pre-teen movie star Macaulay Culkin (of Home Alone). Nick McClary owned a magic baseball glove which, if ... See full summary »
Paul De La Rosa
On Christmas Eve, a little girl named Marie (Cohen) falls asleep after a party at her home and dreams herself (or does she?) into a fantastic world where toys become larger than life. Her beloved Nutcracker (Culkin) comes to life and defends her from the Mouse King, then is turned into a Prince after Marie saves his life. Written by
Narration recorded by Kevin Kline was a last-minute addition that was heavily protested by Macaulay Culkin's father, Kit Culkin, who vowed that his son would do no publicity for the movie until the narration was dropped. Reluctantly, producer Arnon Milchan dropped the narration to appease the Culkins. Kit Culkin then returned with a list of other demands which so incensed Milchan that he reinstated Kline's narration, losing the use of the Culkins' publicity. See more »
In the opening credits, Macaulay Culkin is listed as playing Drosselmayer's nephew, but he is not listed as playing either The Nutcracker or The Prince. See more »
I'm not a ballet expert, but I love this production. It's interesting to dissect because there are two camps for this very famous 110 year-old ballet: those who like it as a children's story and those who like it as an adult's. It's been staged both ways in the past as others have already mentioned. This version allows the kids to be front and center, but it has some stellar, sophisticated moments in it as well: the Act 1 finale dance of the snowflakes is a stellar moment of beauty and style, with its ice-blue lighting and costuming and multi-racial Corps De ballet. In Act 2, there's no contest: amongst the innocent dances of the sweets, 'Arabian Coffee' soloist Wendy Whelan sexily attacks the stage in cat-like fashion. The pink-and-purple lighting and floating cinematography and the dancer's serpent-like movements do not resemble any other moment in this already polished film, and one can't help but think that director Emile Ardolino deliberately planned it that way. (It's like watching Ann Reinking or Carol Haney on the Broadway stage.) As far as the smirking Macaulay Culkin is concerned, his presence didn't bother me since he was the right age at the time of filming (and did have some ballet background) and frankly, he smirks in most films he's in. What're you gonna do?
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