The magically long-haired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.
Jack Skellington, the pumpkin king of Halloween Town, is bored with doing the same thing every year for Halloween. One day he stumbles into Christmas Town, and is so taken with the idea of Christmas that he tries to get the resident bats, ghouls, and goblins of Halloween town to help him put on Christmas instead of Halloween -- but alas, they can't get it quite right. Written by
Jon Reeves <firstname.lastname@example.org>
In "Kidnap the Sandy Claws," just before Lock launches Barrel across the room, Lock is singing and his words are aligned. But when Barrel begins to sing, Lock's lips are moving to the words that Barrel should be singing. Barrel's lips don't move at all. See more »
'Twas a long time ago, longer now than it seems in a place perhaps you've seen in your dreams. For the story you're about to be told began with the holiday worlds of auld. Now you've probably wondered where holidays come from. If you haven't I'd say it's time you begun.
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No credits are shown, except the company and the film's name. See more »
Enthralling film, but more Lock, Shock and Barrel needed!
The Nightmare Before Christmas has captivated me with its crazy and sinister animation, its haunting soundtrack and its horrific yet enchanting characters. When it was first released in the U.K., the trailers terrified me and I refused to go and see it. However, I have now aquired deeply sadistic humour and so relish in such brilliant and infectious songs like "Kidnap the Sandy Claws". My friends and family now get exceedingly annoyed by my attempts to recite the musical score on car journeys etc. The sets and props are amazing and painstakingly detailed-just take a look at Santa's list and the Halloween/Christmas plans. I only have one complaint; there should have been more appearances from Lock, Shock and Barrel: a thoroughly malevolent trio.
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