Jack Skellington, the pumpkin king of Halloween Town, is bored with doing the same thing every year for Halloween. One day he stumbles into Christmas Town, and is so taken with the idea of Christmas that he tries to get the resident bats, ghouls, and goblins of Halloween town to help him put on Christmas instead of Halloween -- but alas, they can't get it quite right. Written by
Jon Reeves <email@example.com>
A crossed-out calculation on Jack's blackboard seems to equate 3 times the square of pi multiplied by 12 to Christmas Day (a Santa hat). The true numerical answer is approximately 355.31. If the decimal portion is dropped, this then equates to December 21st, the 355th day of the year--hence the crossed-out equation. December 21st however is the first day of winter in the northern hemisphere (winter solstice). It is also the birthday of Jeffrey Katzenberg, the film's executive producer and most often credited for turning Walt Disney Studios and its animation division around after joining in 1984. See more »
In the cemetery scene, as Jack sings and gets to the line "And I just can't wait until next Halloween", you can briefly see the wires supporting him shining against the background. See more »
'Twas a long time ago, longer now than it seems in a place perhaps you've seen in your dreams. For the story you're about to be told began with the holiday worlds of auld. Now you've probably wondered where holidays come from. If you haven't I'd say it's time you begun.
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No credits are shown, except the company and the film's name. See more »
One of the best films of 1993, highly re-watchable
I was a kid when I first saw Tim Burton's Nightmare Before Christmas, but I wasn't scared by it in the slightest - this world is one entirely of the imagination, and in a sense saying that the film is scary for younger children is something of a compliment. 'Nightmare' is both a horror film and a musical, and fantasy and a suspense film, and like most Burton effort, comedy is thrown in at just the right moments.
With Henry Selick as director and Michael McDowell & Caroline Thompson as the screenwriters, Burton has fashioned the worlds of Halloween-town and Christmas-town as real originals, working on the cliches that are in each holiday and surrounding the worlds with a host of terrific and terrifying characters. While Halloween-town has a mayor (appropriately with two faces, one smiling one distressed), the real leader is Jack Skellington (Chris Sarandon voices with a great Danny Elfman as the singing Jack) who orchestrates Halloween every year for its citizens. But he's grown weary over the years, and after stumbling upon Christmas-town, loaded with good will towards men and a large man in a red suit, he gets his town riled up to overtake the joyous holiday. Despite one protest by Sally (an amazing Catherine O'Hara), the doll-girl who loves him, the town goes on creating Jack's vision. The results are hilarious and, indeed, spellbinding.
Much credit is given to Burton and Selick for their work on the film, but a lot should also be attributed to Denise Di Novi (co-producer and co-designer), Rick Heinrichs (visual consultant), Pete Kozachik (D.P.), and of course Danny Elfman for his perfectly fitting score and song creations. Along with the talented voice actors, Nightmare Before Christmas ends up a triumph of artistic ingenuity. Some could construe it as too weird or too stylish, but for the cult audience it has garnered over the past ten years it remains of of Burton's finest accomplishments. A+
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