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Night Train to Venice (1996)

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The Orient Express, on it's night trip from Munich to Venice, is full because of the beginning of the carnival in Venice. Between the passengers are a journalist, an actress and her ... See full summary »

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Title: Night Train to Venice (1996)

Night Train to Venice (1996) on IMDb 2.1/10

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Cast

Cast overview, first billed only:
...
Martin
...
Vera
...
Stranger
Kristina Söderbaum ...
Old Woman (Euphemia)
...
Pia
Evelyn Opela ...
Tatjana
Samy Langs ...
Pedro
Murphy McLaren ...
Black Friend
Robinson Reichel ...
Skin Udo
Ralph Herforth ...
Skin Max
Burkhard Kosminski ...
Skin Walter (as Burkhart Kosminski)
Matthias Kosminski ...
Skin #4
Renee Kuenzel ...
Skin #5 (as Renee Künzel)
David Kehoe ...
Conductor
Roland Astor ...
Man in Restroom
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Storyline

The Orient Express, on it's night trip from Munich to Venice, is full because of the beginning of the carnival in Venice. Between the passengers are a journalist, an actress and her daughter, an elder dancer, five neo-nazi punks and a strange man that seems to have some kind of influence over them through their dreams. Written by Michel Rudoy <mdrc@hp9000a1.uam.mx>

Plot Summary | Add Synopsis

Taglines:

Last stop... terror!

Genres:

Mystery | Thriller

Motion Picture Rating (MPAA)

Rated R for language, sexuality, violence and drug content | See all certifications »
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Details

Country:

Language:

Release Date:

28 September 1996 (USA)  »

Also Known As:

Train to Hell  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

See  »
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Did You Know?

Trivia

In 2002 radio interview Hugh Grant stated that it is the worst film he have ever made. See more »

Quotes

[first lines]
Vera: [showing framed picture] Look what I found.
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Soundtracks

Adagio
By Tomaso Albinoni (as Albinoni)
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User Reviews

Night Train to Confusion and Boredom
1 June 2004 | by (Ithaca, NY) – See all my reviews

If you like experimental films then you might get a modicum of enjoyment out of the non-linear story line, interleaved editing, and Kenneth Anger-style fantasy imagery, but to the rest of us it is a jumbled mess. As the film progresses, many cards are laid on the table, but not a one of them is played. The dialog is embarrassingly bad, and the meager plot meanders in a few different directions, but doesn't develop any of them. It wasn't even bad enough to laugh at. The ending came close to being laughable, but when I realized that this was in fact the end I was furious at having wasted so much time. The ONLY redeeming quality of the film was the images of Venice during Carnival. That was quite haunting and beautiful, but not nearly worth the boredom and frustration one must endure in the vain attempt to make sense out of this cluttered mishmash.


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