Alex, a burned out LA cyborg cop, is forced by commissioner Farnsworth to find his former cyborg partner and lover Jared who's about to deliver sensitive data to cyborg terrorists who wish to wage war against humans. Is he being played?

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Cast

Cast overview, first billed only:
...
Alex
...
Farnsworth
...
Angie-Liv
Merle Kennedy ...
Max Impact
...
Yoshiro Han
Marjorie Monaghan ...
Jared
...
Vincent Klyn ...
Michelle
...
Marion
...
Pam
...
Maritz
...
Julian
...
Rosaria
Borovnisa Blervaque ...
Morico
...
Billy (as Tom Janes)
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Storyline

In the future, chaos is rampant as 'information terrorists' threaten to destroy order in society. Alex is a part-man-part-machine LAPD cop who is the best at what he does. When one of the terrorists calls him a machine, Alex questions his humanity and decides to leave the force. His final assignment is to apprehend an old colleague who has stolen some data. However, there is more than meets the eye and Alex must question his allegiance. Written by P. Wong <pwong@nt.net>

Plot Summary | Add Synopsis

Taglines:

In the future... it pays to be more than human.


Motion Picture Rating (MPAA)

Rated R for strong futuristic violence | See all certifications »

Parents Guide:

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Details

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Release Date:

29 January 1993 (USA)  »

Also Known As:

Cyborg - la vendetta  »

Box Office

Gross:

$2,001,124 (USA)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Deborah Shelton worked out for three and a half hours a day to get into shape to play Julian. See more »

Goofs

(at around 43 mins) When Alex tries to shoot him, Michelle says, "It only works if you load it, stupid." He did, two minutes earlier. See more »

Quotes

Angie: Surgery by surgery brotha. Getting more machine than human. How you feel about that?
Alex: I didn't have any choice.
Angie: Sad, yeah?
Alex: At least I'm still alive.
Angie: Won't make any difference you no care brotha.
See more »

Connections

Featured in Troldspejlet: Wayne's World (1993) See more »

Frequently Asked Questions

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User Reviews

 
Pyun's Stylistic Semi-Classic of the Crap Genre
28 March 2004 | by (Olympia, Washington) – See all my reviews

I first saw NEMESIS on late night TV when I was about 15. The first time I saw it I thought it was exciting if a bit confusing. It was a lot better than most other movies they showed at that time of night. On subsequent viewings the plot became very clear and it was the action that got less appealing. Strictly speaking, NEMESIS is not a good movie. It is however, a kind of crap genre classic that had an influence on some mainstream film.

Alex (Oliver Grunner) is an LA cop in the future where "it pays to be more than human". He fights terrorists who are all cyborgs. Alex gets hurt a lot, so he also he's also part machine. Rebecca Charles's weak script has most things explained by a narration. This explains Alex's motivations for leaving the police force (after getting himself blown up and put back together again). He goes to Mexico with his dog and has another run-in with the terrorists. He gets hurt and put back together again. This time when he wakes up, he finds himself blackmailed into the service of a government official. He goes to an island in the South Pacific where nobody is what they seem and everyone carries a gun. Alex eventually learns of a coming war between the cyborgs and the humans. The rest is shooting and shifting loyalties.

This film had a number of good ideas going into it. Some of the action sequences are exciting and memorable. At one point Alex is trapped in a hotel room and shoots a hole through the floor, falling and shooting through three stories. The sunglasses and trench-coat look most of the characters have is very MATRIX like. The hero has to deal with a bomb in his heart and the listening devices his bosses have planted in his body. Sadly the conclusion is weak, the would-be love interest is annoying, and the last half hour or so ditches substance entirely. The make-up effects are good. Some of the special effects are weak, but it's to be expected for a low budget flick like this. Grunner is fine as our hero.

Albert Pyun has proved he can make better movies than this (MEAN GUNS, THE SWORD AND THE SORCERER), so he isn't really to blame. A better script would have improved this immensely. A remake might be in order, with more money and better writers. NEMESIS really could have been something, although it isn't exactly nothing. For this crap genre, though, it scores fairly high.


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