As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
Jenny Nix, wife of eminent child psychologist Carter Nix, becomes increasingly concerned about her husband's seemingly obsessive concern over the upbringing of their daughter. Her own ... See full summary »
Brian De Palma
Omens and concepts of good vs. evil have no place in Maggie O'Connor's well-ordered, practical universe. Her life revolves around her job as a nurse at a busy New York hospital, until one ... See full summary »
Leland Gaunt comes to Sheriff Alan Pangborn's pleasant little New England town, and opens a store. What this kindly Satan sells is whatever you need, from a surcease from pain to an object which you have always coveted. The Faustian price is, of course, corruption, and soon the poor sheriff's town is wracked by jealousy, spite, and violence. Written by
In the film, Hugh Priest buys Gaunt a football jacket while, in the novel, he buys a fox's tail just like the one he used to fix to the car's aerial. If you look closely, the tail is visible during the flashback scene, just when Hugh tries the jacket in the store. See more »
One man buys a first edition, signed copy of "Treasure Island" by Robert Louis Stevenson. In later scenes, he and the little girl who stole it refer to the title as "Huck Finn" by Mark Twain. In the video and DVD release, his words are dubbed over to correct the mistake. On the television broadcast, the mistake was not corrected. This is an audio mismatch and a continuity error, depending on which version you saw. See more »
When I started out I was just a peddler moving across the blind face of a distant land. Moving, always moving. Always gone... and in the end I'd always offer weapons. And they'd always take them. Of course I was gone before they realized what they'd purchased.
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Despite the fact that this film is based on yet another Stephen King novel, it is worth watching -- especially for the performance by Max von Sydow as the "old boy himself."
I watched the "director's cut" once on TV that had many scenes in it which were cut from the theatrical version. None of the restored scenes was especially good. It is interesting to note that practically every moment of Max von Sydow's performance is in both versions. He holds the screen with every sly look, every smooth utterance. He is a true joy to watch in this retelling of the Fause legend. It proves what a wonderful actor he is -- he has played Jesus (THE GREATEST STORY EVER TOLD), Ming the Merciless (FLASH GORDON), and many other parts. Playing the Devil allows him to chew the scenery in grand style.
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