The Music of Chance (1993)

Director:

Philip Haas

Writers:

Paul Auster (novel)
Belinda Haas (writer)

Release Date:

4 June 1993 (USA)

Genre:

Drama

Tagline:

Jack Pozzi is about to take the biggest gamble of his life...

Plot:

Two men face the consequences of gambling after playing with men beyond their league.

Plot Keywords:

Based On Novel | Independent Film

Cast

James Spader	...	Jack Pozzi
Mandy Patinkin	...	Jim Nashe
M. Emmet Walsh	...	Calvin Murks
Charles Durning	...	Bill Flower
Joel Grey	...	Willy Stone
Samantha Mathis	...	Tiffany
Chris Penn	...	Floyd
Pearl Jones	...	Louise
Jordan Spainhour	...	Floyd Jr.
Paul Auster	...	Driver

Runtime:

98 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Sound Mix:

Dolby

Certification:

Iceland:12 | Argentina:13 | Spain:13 | UK:15 | USA:R | Australia:M

Filming Locations:

New York, USA

Company:

IRS Media

Trivia:

In the scene where Jim Nashe is in bed after the party, he reads a book. You can see that the cover indicates the book is one by Paul Auster, who wrote the novel upon which the movie is based.

Quotes:

Calvin Murks: Mornin' boys.

Movie Connections:

References White Heat (1949)

Soundtrack:

Jerusalem

Elegant, unique, and compelling

Paul Auster writes marvelous contemporary fiction, and this is a wonderful film adaptation of perhaps his finest work.

THE MUSIC OF CHANCE revolves around two very different protagonists. Jim Nash (Mandy Patinkin) is an ex-fireman, driving across America, and searching for meaning to his life. Jack Pozzi (James Spader) is a professional poker player, out of money, out of luck, and given a ride to New York by Nash. It emerges Jack has a game scheduled with two eccentric millionaires (Joel Grey and Charles Durning), so Jim puts up the capital with the last of his own money. But the poker game doesn't go quite according to plan...

Some people have described this film as "pretentious" - pretending to what exactly? Jack Pozzi and Jim Nash are two unusually clearly defined characters - one shallow, over-confident, tetchy; the other calm, reasonable, tolerant. Their eventual predicament is also disarmingly simple. That air of mystery to the film does not spring from narrative or character but from the viewer's own philosophies towards life. Does one choose one's own path or is it chosen for you? Chance or fate? Freedom or incarceration? Meaning or, in Nash's words, "just bullshit". So in fact even if you think the events onscreen have no deeper meaning, well then that *is* the meaning. For you anyway.

The acting is universally excellent, with Grey, Durning, M Emmet Walsh, and Chris Penn illuminating supporting roles. But Patinkin and Spader dominate the film, with two absolutely captivating performances. Philip Haas's direction is suitably under-stated, and there is also excellent use of music, from jazz to classical.

THE MUSIC OF CHANCE is an absorbing and intelligent piece of film-making. If only there were more films like it.