| Photos (See all 18 | slideshow) | Videos |
| Jamie Lee Curtis | ... | Judith 'Jude' Madigan | |
| Peter Gallagher | ... | Robert Madigan | |
| Joanne Whalley | ... | Colleen 'Callie' Harland (as Joanne Whalley-Kilmer) | |
| Vanessa Redgrave | ... | Lydia | |
| Luke Edwards | ... | Kes Madigan | |
| Colin Ward | ... | Michael Madigan | |
| Joey Zimmerman | ... | Ben Madigan | |
| Joss Ackland | ... | Lansing, Jude's Attorney | |
| Paul Guilfoyle | ... | Mark Kaplan, Robert's Attorney | |
| J.E. Freeman | ... | Everett, Principal | |
| John C. McGinley | ... | Mr. Fogel, Teacher | |
| Jill Freedman | ... | Nurse | |
| Lorraine Toussaint | ... | Robert's Associate | |
| Ken Lerner | ... | Jude's Analyst | |
| Mary Anne McGarry | ... | Planetarium Woman | |
| Judith Roberts | ... | Narrator | |
| Sachi Ena | ... | Cynthia, Girl in Kes' Class | |
| Jeanine Jackson | ... | Market Mom | |
| Jesse Stock | ... | Market Kid |
Directed by | |||
| Yves Simoneau | |||
Writing credits(WGA) | ||
| Bernard Taylor | (novel) | |
| Barry Schneider | (screenplay) and | |
| Richard Hawley | (screenplay) | |
Original Music by | |||
| George S. Clinton | |||
Cinematography by | |||
| Elliot Davis | (director of photography) | ||
Film Editing by | |||
| Michael D. Ornstein | (as Michael Ornstein) | ||
Casting by | |||
| Francine Maisler | |||
Art Direction by | |||
| David J. Bomba | (as David Bomba) | ||
Set Decoration by | |||
| Barbara Cassel | |||
Costume Design by | |||
| Deena Appel | |||
| Simon Tuke | |||
Makeup Department | |||
| Jennifer Bell | .... | hair stylist | |
| June Brickman | .... | makeup artist | |
| Julie Hewett | .... | key makeup artist | |
| Gus Le Pre | .... | hair stylist: second unit | |
| Frances Mathias | .... | key hair stylist | |
Production Management | |||
| Daniel Franklin | .... | unit production manager (as Dan Franklin) | |
| Robert Gros | .... | executive in charge of production: CBS | |
| Hilarie Roope | .... | post-production supervisor | |
Art Department | |||
| David H. Allen | .... | property master | |
| Kevin Coyle | .... | dresser | |
| Mark Kusy | .... | on-set dresser | |
| Mark Kusy | .... | property master: second unit | |
| David Lowery | .... | storyboard artist | |
| David Lucene | .... | leadman | |
| Frank McEldowney | .... | greens supervisor | |
| Michael Miller | .... | first assistant props (as Michael G. Miller) | |
| David J. Negron | .... | storyboard artist | |
| Erik Polczwartek | .... | dresser | |
| Peter Paul Raubertas | .... | visual consultant | |
| Donald C. Riley | .... | dresser (as Don Riley) | |
| Michael D. Welch | .... | construction coordinator (as Mike Welch) | |
| Perry Welch | .... | construction foreman | |
Sound Department | |||
| Rick Ash | .... | sound re-recording mixer | |
| Pat Clark | .... | boom operator | |
| Dave Concors | .... | sound editor | |
| Thom 'Coach' Ehle | .... | stereo sound consultant: Dolby | |
| David Gertz | .... | foley mixer | |
| Rich Green | .... | foley walker | |
| David Hagberg | .... | sound editor (as David Lee Hagberg) | |
| William Hooper | .... | sound editor | |
| Chris Jargo | .... | supervising adr editor | |
| Fred Judkins | .... | supervising sound editor | |
| Doc Kane | .... | adr mixer | |
| Bill King | .... | boom operator | |
| Clark King | .... | sound mixer | |
| James Moriana | .... | foley walker | |
| Larry Pitman | .... | dubbing recordist | |
| F. Scott Taylor | .... | assistant sound editor | |
| Mark A. Tracy | .... | assistant sound editor (as Mark Tracy) | |
| Bryan O. Watkins | .... | assistant sound editor (as Bryan Watkins) | |
| Scott Weber | .... | supervising sound editor | |
| Jeffrey Wilhoit | .... | foley walker | |
| Dean A. Zupancic | .... | sound re-recording mixer | |
Special Effects by | |||
| Peter Chesney | .... | special effects designer | |
| Dean W. Miller | .... | special effects coordinator | |
| Sandra Stewart | .... | special effects technician | |
Stunts | |||
| Ed Bannister | .... | stunts | |
| Richard L. Blackwell | .... | stunts | |
| Steve Boyum | .... | stunts | |
| Jack Carpenter | .... | stunts | |
| Tony Jefferson | .... | stunts | |
| Donna Keegan | .... | stunts | |
| Mary Peters | .... | stunts | |
| Bobby Porter | .... | stunts | |
| Lynn Salvatori | .... | stunt double | |
| Lynn Salvatori | .... | stunts | |
| Scott Sproule | .... | stunts | |
| Kevin Swigert | .... | stunt coordinator | |
| Kevin Thompson | .... | stunts | |
| Danny Wynands | .... | stunts | |
Casting Department | |||
| Kathy Driscoll | .... | casting associate | |
Costume and Wardrobe Department | |||
| Linda Lee Cocuzzo | .... | set costumer | |
| Michael Hamer | .... | costume supervisor | |
| Katie Sparks | .... | set costumer | |
Editorial Department | |||
| Patrick J. Don Vito | .... | apprentice editor (as Patrick Don Vito) | |
| Douglas Howell | .... | editing intern | |
| Jay Lawton | .... | assistant editor | |
| Dan Muscarella | .... | color timer | |
| Barbara Riley | .... | negative cutter | |
| Pete Sepenuk | .... | editorial intern | |
| Karen Whipple | .... | assistant editor | |
Music Department | |||
| Carlo Jean-Paul Chanez | .... | orchestrator | |
| George S. Clinton | .... | orchestrator | |
| Joel Iwataki | .... | score recording engineer | |
| Marty Wereski | .... | music editor | |
| John Whynot | .... | score mixer | |
Transportation Department | |||
| Jack Carpenter | .... | driver: camera cars | |
| Thomas J. Hoke | .... | transportation captain (as Tom Hoke) | |
| Dean E. Mason | .... | transportation coordinator | |
| John Sagray | .... | crew driver | |
Other crew | |||
| John Alfred | .... | assistant accountant | |
| Carol Sue Byron | .... | production accountant | |
| Robert Chambers | .... | assistant location manager (as Bob Chambers) | |
| Bundy Chanock | .... | set medic | |
| Mory Framer | .... | psychological consultant | |
| Marita Grabiak | .... | script supervisor (as Marita Jane Grabiak) | |
| Suzanne Gundlach | .... | script supervisor: second unit (as Susan Gundlach) | |
| Steve Hasenberg | .... | psychological consultant | |
| Miles J. Henley | .... | assistant location manager (as Miles Henley) | |
| Vic Heutschy | .... | publicist | |
| June Jordan | .... | stand-in | |
| Sazzy Lee Calhoun | .... | key production assistant: second unit | |
| Ralph B. Meyer | .... | location manager | |
| Brian Turi | .... | animal trainer | |
| Lisa Van Cott | .... | production coordinator | |
| Karen Yokomizo | .... | assistant accountant | |
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| The Last Seduction | A Map of the World | Crime and Punishment in Suburbia | The Weight of Water | Freeway |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
Just imaging "Kramer vs. Kramer" gone extreme and you've got "Mother's Boys". The movie uses exactly the same concept of "Kramer vs. Kramer", of a mother who abandoned her family for 3 years but has now returned to reclaim her kids from the father. It was someone was simply saying; Hey that "Kramer vs. Kramer" movie is a good one, lets turn it into a thriller!
It's not like the concept of the movie is a terrible bad idea but however the execution of it is. The movie offers too little big surprises and the movie surely could had used some more tension and other thriller elements. The movie is filled with some missed opportunities, they could and should had made the mother character far more psychotic and evil. She basically now gets too little psychotic to do in this movie, which causes the tension and mystery of this movie not to work out.
Surprising to see how big the cast of this movie is. It's perhaps also the only reason why this movie still remains a watchable one. The actors still make the movie interesting and worthwhile to watch. Although Jamie Lee Curtis and Peter Gallagher aren't even in the same league! Jamie Lee Curtis totally outclasses Peter Gallagher so much, that at almost becomes embarrassing to watch. Jamie Lee Curtis plays a great role and she handles it just right. Joanne Whalley also pulls off alright and there are some fine supporting actors such as Vanessa Redgrave, John C. McGinley, Joss Ackland and Paul Guilfoyle but their roles are unfortunately all way too small.
It's not a terribly bad movie but it's also not really one that ever surprises or leaves a big impression on you. A real lackluster and filled with many missed opportunities and wasted potential. Therefor I also can't really recommend this movie to anyone.
5/10
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