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Mazeppa (1993)

 -  Drama  -  13 October 1993 (France)
6.4
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Ratings: 6.4/10 from 113 users  
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Based on Lord Byron's poem "Mazeppa" from 1819 and revolving around the painter Théodore Géticault, famous horse trainer and spectacle Bartabas takes art to another level.

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Title: Mazeppa (1993)

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Cast

Cast overview, first billed only:
Miguel Bosé ...
Gericault
Bartabas ...
Franconi
Brigitte Marty ...
Mouste
Eva Schakmundes ...
Alexandrine
Fatima Aibout ...
Cascabelle
Bakary Sangaré ...
Joseph
Norman Calabrese ...
Ami de Géricault
Henri Carballido ...
Ami de Géricault
Frédéric Chavan ...
Ami de Géricault
Patrick Kabakdjian ...
Ami de Géricault
Michel Lacaille ...
Ami de Géricault
Claire Leroy ...
Amie de Géricault
Bernard Malandain ...
Ami de Géricault
Thierry Manuel ...
Ami de Géricault
Jean-Marie Paulus ...
Ami de Géricault
Edit

Storyline

Based on Lord Byron's poem "Mazeppa" from 1819 and revolving around the painter Théodore Géticault, famous horse trainer and spectacle Bartabas takes art to another level.

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

Language:

Release Date:

13 October 1993 (France)  »

Also Known As:

Mazeppa - A Lenda de uma Paixão  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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User Reviews

 
Exquisite fever dream, even if it runs down a bit towards the end
28 February 2012 | by (US) – See all my reviews

For about an hour, this fever dream fantasized vision of the brief life of the great horse painter Theodore Gericault really held me in it's thrall.

A fictional story with real characters, the film imagines that Gericault ran away to join the circus, but a circus run by Franconi, a great horseman, whose horses and riders in the film perform truly breathtaking feats. Franconi himself is portrayed as a leather mask wearing, frightening presence. But this sounds far more grounded in reality than this surreal film is to experience.

While the story didn't really even try tie together, the images of horses and humans were worthy of the best of Greenaway, as was the exquisite air of mystery.

But somehow the last 45 minutes felt more literal, more forced, and the film lost some of it's power. It felt like the film slowly evolves from a mysterious dream, to a story that needs to be neatly, if surreally tied up, By growing more literal, it lost some power and magic. But it's still a strong film, filled with some truly unforgettable images of horses and humans in various combinations.


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