Gilles and Christine a boy and a girl live in the outskirts of Paris, their families are ineffective and distant and they lead a purposeless life. They steal some records in a supermarket ... See full summary »
Early one morning Valerie has to tell her unemployed boyfriend Remi that she is pregnant. She has decided to keep the child, but they argue whether they should break up or not. That same ... See full summary »
A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in ... See full summary »
Jeanne has an appetite for love that can never be satisfied. Lovers at every corner of her life she is still in search of that "one". When a impromptu tryst on the subway with Olivier gives... See full summary »
Two best friends, Johanna and Jeanne, live in the small town of Decazeville, a mining town in France. One year at the Miners' Ball, the music group The Sirens perform, of which Johanna and ... See full summary »
Charlotte (Gainsbourg) is being raised without a mother. She is only 13 but ready to be an adult. She meets an older boy and begins a relationship while teaching a young friend about life and learning the ropes herself.
Cécile and Samira can't pay their expensive Paris rent. Walking down the street the two girls see an art gallery reception and finesse their way in. In attendance are Michel Farnèse, a very... See full summary »
Elie Chouraqui isn't a remarkable figure in the French cinema. After, a little convincing attempt in the comedy with "Paroles et Musique" (1984) and a failed incursion in the thriller with "Man on Fire" (1987) which made the object of an American remake in 2004, he chose to tell the story of a family with numerous members drowned in their sentimental problems. Through the presented topic, the director was inspired by Claude Lelouch's cinema (Chouraqui has earned his spurs as an assistant producer with the latter). As a matter of fact, "les marmottes" is especially worth for its band of actors. From Daniel Gélin to Virginie Ledoyen (it was one of her first major roles) through Gérard Lanvin, Chouraqui invited a concentrate of well-known actors coming from different generations. Their talent is sufficient to make up the characters' lack of depth and the director's impersonal style.
If you are a fan of Lelouch's and Sautet's cinema, that is to say if you are fond of sentimental movies, try this film. Otherwise, skip it.
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