Daisy uses 'All About Eve' tactics to lie her way into the circle of friends of director Zac. But Zac has been missing for months. When he finally resurfaces, he and Daisy start writing a ... See full summary »
When Peter, Margaux's American writer husband, leaves Paris in a funk and heads home, she finds herself the single parent of two near teens. She also gets a new assignment at work: to find,... See full summary »
Early one morning Valerie has to tell her unemployed boyfriend Remi that she is pregnant. She has decided to keep the child, but they argue whether they should break up or not. That same ... See full summary »
When a well known businessman goes missing, owing $100m to Taipei's underworld, two hoods decide to follow his son, the leader of a youth gang. A small group of trendy foreigners gets caught up in the action.
A former CIA agent, John Creasy, is hired as a bodyguard for a girl in Italy, who becomes the daughter he never had. When she is abducted, Creasy's fiery rage is unleashed, and despite being badly wounded, embarks on a bloody revenge spree.
Gilles and Christine a boy and a girl live in the outskirts of Paris, their families are ineffective and distant and they lead a purposeless life. They steal some records in a supermarket ... See full summary »
Elie Chouraqui isn't a remarkable figure in the French cinema. After, a little convincing attempt in the comedy with "Paroles et Musique" (1984) and a failed incursion in the thriller with "Man on Fire" (1987) which made the object of an American remake in 2004, he chose to tell the story of a family with numerous members drowned in their sentimental problems. Through the presented topic, the director was inspired by Claude Lelouch's cinema (Chouraqui has earned his spurs as an assistant producer with the latter). As a matter of fact, "les marmottes" is especially worth for its band of actors. From Daniel Gélin to Virginie Ledoyen (it was one of her first major roles) through Gérard Lanvin, Chouraqui invited a concentrate of well-known actors coming from different generations. Their talent is sufficient to make up the characters' lack of depth and the director's impersonal style.
If you are a fan of Lelouch's and Sautet's cinema, that is to say if you are fond of sentimental movies, try this film. Otherwise, skip it.
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