When Gabriel and Emilie meet by chance, he offers her a ride, and they spend the evening talking, laughing and getting along famously. At the end of the night, Emilie declines Gabriel's ... See full summary »
A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in ... See full summary »
Who has never been ashamed of Mom's new hairdo, Dad's bad jokes, that velvet couch in the living room, a childhood friend who obviously doesn't get it? Lila and Ely live just the other side... See full summary »
When Peter, Margaux's American writer husband, leaves Paris in a funk and heads home, she finds herself the single parent of two near teens. She also gets a new assignment at work: to find,... See full summary »
Six days in the life of Wilhelm: a detached man without qualities. He wants to write, so his mother gives him a ticket to Bonn, telling him to live. On the train he meets an older man, an ... See full summary »
Hans Christian Blech
The South of France. Internationally famous pianist Aurore collapses one night during a performance, over-exhausted from too many concerts. Tired of music, she believes she no longer has ... See full summary »
Jeanne has an appetite for love that can never be satisfied. Lovers at every corner of her life she is still in search of that "one". When a impromptu tryst on the subway with Olivier gives... See full summary »
Elie Chouraqui isn't a remarkable figure in the French cinema. After, a little convincing attempt in the comedy with "Paroles et Musique" (1984) and a failed incursion in the thriller with "Man on Fire" (1987) which made the object of an American remake in 2004, he chose to tell the story of a family with numerous members drowned in their sentimental problems. Through the presented topic, the director was inspired by Claude Lelouch's cinema (Chouraqui has earned his spurs as an assistant producer with the latter). As a matter of fact, "les marmottes" is especially worth for its band of actors. From Daniel Gélin to Virginie Ledoyen (it was one of her first major roles) through Gérard Lanvin, Chouraqui invited a concentrate of well-known actors coming from different generations. Their talent is sufficient to make up the characters' lack of depth and the director's impersonal style.
If you are a fan of Lelouch's and Sautet's cinema, that is to say if you are fond of sentimental movies, try this film. Otherwise, skip it.
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