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This is the sort of movie I can watch over and over. In one word I would say it is clever. A combination of mystery, suspense, drama, and Allen's ingenious humor, Manhattan Murder Mystery is my favorite Woody Allen movie. Perhaps my favorite movie - period. The plot was fresh, and having such humor with suspense is just too good. Another quality I enjoy in this movie is how Allen avoids an "over-polished" look. For instance, the scene where a neighbor in the hallway asks Paul about a rent increase. The actor appears to stumble for the right word, but Allen let the scene go that way giving it a very natural look. The restaurant scenes also portray realism with multiple conversations at one time; a quality I love in all of his movies. This makes reviewing the movies interesting- you pick up something new each time you watch it! Woody Allen's style is definitely an intelligent humor.
This is my favorite Woody Allen movie and right up there with Annie Hall
and Manhattan as one of his best. Woody is at his best when he has Diane
Keaton by his side and this proves it. A lot of his more recent movies
haven't been good, because he is pairing himself with much younger actresses
who aren't as good at this type of comedy or who aren't good at all in the
case of Helen Hunt. This movie is hilarious even if you are my age (20). I
think it's refreshing to go the video store and rent a comedy that isn't
either a stupid spoof, or a teen comedy that plays like a rated R sitcom.
This is a comedy that actually has a story, and Woody has the best lines.
If you don't like Woody's style though you won't like this, but if you have
seen Annie Hall or any of his other movies and liked them then you should
love this one.
*** This review may contain spoilers ***
No one took this film seriously when it came out earlier this decade. Most people thought it a fluffy, trifle of a film. And it is certainly light-hearted compared to some of Allen's weightier fare (see Husbands and Wives, his best movie of the past decade). But having watched this film again recently I think it is a stunning achievement in comedy. Allen and Keaton have great chemistry as a couple in a humdrum marriage who stumble on to what turns out to be a murder cover-up. Watching all the people in this film try to figure out how to be detectives based on stuff they've seen in movies and read in books is hilarious, not to mention smart. The latenight dinner conversation among Allen, Keaton, Alda, and Huston is some of the best, sharpest, funniest, fastest dialogue ever written (or ad libbed). One of the best comedies of the 90s. frink-3
Manhattan Murder Mystery is a terrific Woody Allen film whit a
wonderful mix of murder, mystery and comedy. With an all star fantastic
cast; Woody Allen, Diane Keaton, Alan Alda, Anjelica Huston and Jerry
The reunion of Keaton and Allen together was such a delight, the chemistry between Allen and Keaton, is truly top-notch, remind me of Annie Hall.(Diane Keatons role where actually intended for Mia Farrow, but as most of you know Woody Allen was going through his off-screen scandal at the time..). Like the most of Allens films this also have a witty dialog and excellent character development. And the murder mystery is very intelligent, fun and stylish mystery-comedy. Whit Manhattan Murder Mystery Allen also reunites with writer Marshall Brickman, they wrote Annie Hall and Manhattan together, Like those films, this one contains some very funny one-liners.
Manhattan Murder Mystery is one of Woody Allen's most wonderful movies. 9 out of 10.
This is a nice and light Woody Allen comedy about a death in a building
that could be a murder. At least Diane Keaton's character thinks so,
without really having a reason for that. She plays Carol Lipton,
married to Larry Lipton (Woody Allen). They have just met their
neighbors Paul (Jerry Adler) and Lillian House (Lynn Cohen) when
Lillian dies. Because Paul is not that sad and is too ready to move on
Carol becomes suspicious. When she is realizing certain strange events
that has occurred her suspicion grows. Larry thinks it is pretty stupid
but when a friend named Ted (Alan Alda) does believe her and helps her
with the investigation he gets jealous and offers to help after all.
Whether a real murder has committed is not the point, I guess. Allen gives us standard movie situations, ridicules them a little, and betters them then. There is a scene where Allen and Keaton go from an elevator into a basement when the lights fall out. It is completely dark, something we have seen more in thrillers, and for some reason Allen is able to make this cliché thriller scene suspenseful. There are more of these moments. Since this is an Allen film there are a lot of links to other famous movies (the script itself is a little like Hitchcock's 'Rear Window') and famous scenes, the ending in particular does a terrific job in reliving one of the most memorable scenes out there. (It has to with mirrors, I guess you know what movie I am talking about). This light Allen comedy is a terrific mystery story with brilliant touches that will be liked not only by Allen-fans, but by everyone who loves either comedy or mystery suspense.
Manhattan Murder Mystery (1993) Dir: Woody Allen
Supposedly Miss Keaton (never married by the way) only did this film as a
favor to Mr. Allen who was enduring some rather unsavory press at the time
concerning his breakup with actress Mia Farrow and his ensuing love affair
with Miss Farrow's adopted teenage daughter. Because Allen needed a quick
hit, he asked Keaton to help him out by starring in this murder mystery
comedy. Luckily for Allen (and for that matter, Keaton) the movie was a
Allen and Keaton star as husband and wife in a New York City apartment who suspect that their neighbor killed his wife! Angelica Houston and Alan Alda provide additional comic relief as friends helping the couple solve the mystery. Although the film takes its structure from Rear Window, Allen chose to end it with an homage to Orson Wells's classic mirror sequence in Lady From Shanghai. It's a very funny movie allowing Keaton and Allen to showcase their by now perfected New York City type characters.
Woody Allen and Diane Keaton reunite in this fine film, and both are in top form. Although it largely abandons the angst-filled themes of many of Allen's earlier films, it replaces it with a playfulness and sense of fun which elevates the film above your standard comedy or mystery. Alan Alda is notable for his fine performance, as well.
One of Woody Allen's winners from the 1990s (albeit on a minor scale) reunites him quite snugly with Diane Keaton. Allen and Keaton have such a lived-in rapport (with plenty of jabs but no fatigue) that the sight of them together again in a comedy is an automatic uplift. They portray the Liptons, a regular N.Y.C. couple who suspect foul play from the elderly man in their building whose wife has suddenly died. Smooth, smartly assembled nuttiness with sensational support from Alan Alda as a playwright (with a crush on Keaton) and Anjelica Huston, putting off terrific comedic heat as a novelist. Wrapped up wonderfully with an homage to Orson Welles' "The Lady From Shanghai". Great fun! *** from ****
Couple Larry and Carol Lipton (Woody Allen and Diane Keaton) get
involved with a complicated murder (they think) when their next door
neighbor's wife dies suddenly. Her husband seems strangely calm about
it and then Carol sees the dead wife alive and well on a bus...
This was a return to comedies after Allen had made a string of dramatic movies. Most people believed he couldn't do comedies anymore. It turns out he hadn't lost his touch and turned out one of his best movies. Seeing Keaton and Allen playing a couple was great (they always worked so well off each other) and, for once, Allen isn't the neurotic one--Keaton is! It was fun seeing him play the strongest partner in a relationship. The dialogue is hilarious--one good line after another and the murder mystery itself is very intricate and interesting. Also there are a number of great old songs playing in the background that perfectly complement the movie--especially "The Big Noise from Winnetka" (for when they drive across the bridge at night). And I loved that homage to Orson Welles "Lady from Shanghai" at the end.
The acting is almost all great. Allen and Keaton are just wonderful--right on target and acting (and speaking) like an old married couple. Alan Alda pops up as Keaton's best friend. I never really liked him but he's OK here. Anjelica Huston (looking incredible) also pops up and gives a very strong (and very funny) supporting role. Also look for Zack Braff (from the TV series "Srubs") in his very first role as Keaton and Allen's son (!!!)
My only complaint--the jerky, hand held camera-work. It worked fine in Allen's dramas but is just out of place here--the camera should move fluidly in a comedy. That's a small quibble though. This is WELL worth seeing.
In Manhattan, Carol (Diane Keaton) and her husband Larry Lipton (Woody
Allen) are coming home late night when they meet their next door
neighbors Lillian (Lynn Cohen) and Paul House (Jerry Adler) in the
elevator. Lillian and Paul invite their neighbors to drink coffee with
them in their apartment and Lillian shows her treadmill to Carol and
Paul shows his collection of stamps to Larry. While drinking coffee,
the elderly couple tells that they have been married for twenty-eight
years and they have a twin tomb in the cemetery. Lillian tells that she
is in good shape and uses her treadmill everyday.
On the next night, Carol and Larry go to see The Flying Dutchman in the theater and when they come back home, they learn that Lillian has died of heart attack. A couple of days later, Carol and Larry meet Paul on the street and Carol believes he is too perky for a widower that has just lost his beloved wife. When Carol accidentally finds an urn with Lillian's ashes in Paul's kitchen, she suspects that Paul has killed Lillian and comments with her friend Ted (Alan Alda). They decide to investigate her neighbor and Carol steals the keys of Paul's apartment from the super. She finds that Paul will travel to Paris and not to Caribbean as he had told to Larry and she, with a woman called Helen Moss. When Carol sees by chance Lillian alive in a bus, her curiosity increases and she decides to go further in her investigation.
Yesterday I was setting in order and cleaning my films on the shelf, and I decided to see again the VHS "Manhattan Murder Mystery". Last time I saw this film was in the 90's and I did not recall the story in details. Woody Allen is one of my favorite directors and actor, and that is the reason why I do not dare to say that this film is one of his best films because I love practically all his filmography.
"Manhattan Murder Mystery" has mystery, suspense and the refined and witty humor typical from Woody Allen. One of my favorite moments is when Larry compares the need to Carol returning to her shrink with a GM's recall. Another very funny moment is when the clumsy Larry plays the wrong tape during the phone conversation with Paul. If the reader wants to spend 104 minutes laughing, watch "Manhattan Murder Mystery" since this film is funny even for those that are not fans of Woody Allen. My vote is eight.
Title (Brazil):"Um Misterioso Assassinato em Manhattan" ("A Mysterious Murder in Manhattan")
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