A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Larry and Carol are fairly normal New Yorkers who have sent their son off to college. They meet an elderly couple down the hall and later in the week find that the wife has suddenly died. Carol becomes suspicious of Paul who seems to be too cheerful and too ready to move on. She begins her investigation. Larry insists she is becoming too fixated on their neighbor as all of the irregularities seem to have simple non-homicidal explanations. Ted, a recently divorced friend helps her investigation and Larry begins to become jealous of their relationship and agrees to help her. Written by
John Vogel <firstname.lastname@example.org>
Toward the end of the film, when Paul is lying on the floor of the backstage, killed by Gladys, pieces of broken glass are falling around him. And we definitely see the hand of one of the crew members, in the upper left corner of the screen, throwing a piece of glass on the floor. See more »
C'mon, you promised to sit through the hockey game without being bored,
I know, honey, I promised.
and I'll sit through the Wagner opera with you next week.
I already bought the earplugs.
Yeah, well, with your eyesight I'm surprised you can see the puck. Wow, yay, come on.
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One of Woody Allen's winners from the 1990s (albeit on a minor scale) reunites him quite snugly with Diane Keaton. Allen and Keaton have such a lived-in rapport (with plenty of jabs but no fatigue) that the sight of them together again in a comedy is an automatic uplift. They portray the Liptons, a regular N.Y.C. couple who suspect foul play from the elderly man in their building whose wife has suddenly died. Smooth, smartly assembled nuttiness with sensational support from Alan Alda as a playwright (with a crush on Keaton) and Anjelica Huston, putting off terrific comedic heat as a novelist. Wrapped up wonderfully with an homage to Orson Welles' "The Lady From Shanghai". Great fun! *** from ****
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