A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Larry and Carol are fairly normal New Yorkers who have sent their son off to college. They meet an elderly couple down the hall and later in the week find that the wife has suddenly died. Carol becomes suspicious of Paul who seems to be too cheerful and too ready to move on. She begins her investigation. Larry insists she is becoming too fixated on their neighbor as all of the irregularities seem to have simple non-homicidal explanations. Ted, a recently divorced friend helps her investigation and Larry begins to become jealous of their relationship and agrees to help her. Written by
John Vogel <firstname.lastname@example.org>
Woody Allen planned to make his earlier film Hannah and Her Sisters (1986) a murder mystery, but cut that subplot out and used the initial murder mystery for this movie. See more »
Toward the end of the film, when Paul is lying on the floor of the backstage, killed by Gladys, pieces of broken glass are falling around him. And we definitely see the hand of one of the crew members, in the upper left corner of the screen, throwing a piece of glass on the floor. See more »
C'mon, you promised to sit through the hockey game without being bored,
I know, honey, I promised.
and I'll sit through the Wagner opera with you next week.
I already bought the earplugs.
Yeah, well, with your eyesight I'm surprised you can see the puck. Wow, yay, come on.
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Manhattan Murder Mystery (1993) Dir: Woody Allen Supposedly Miss Keaton (never married by the way) only did this film as a favor to Mr. Allen who was enduring some rather unsavory press at the time concerning his breakup with actress Mia Farrow and his ensuing love affair with Miss Farrow's adopted teenage daughter. Because Allen needed a quick hit, he asked Keaton to help him out by starring in this murder mystery comedy. Luckily for Allen (and for that matter, Keaton) the movie was a hit.
Allen and Keaton star as husband and wife in a New York City apartment who suspect that their neighbor killed his wife! Angelica Houston and Alan Alda provide additional comic relief as friends helping the couple solve the mystery. Although the film takes its structure from Rear Window, Allen chose to end it with an homage to Orson Wells's classic mirror sequence in Lady From Shanghai. It's a very funny movie allowing Keaton and Allen to showcase their by now perfected New York City type characters.
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