A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
Larry and Carol are fairly normal New Yorkers who have sent their son off to college. They meet an elderly couple down the hall and later in the week find that the wife has suddenly died. Carol becomes suspicious of Paul who seems to be too cheerful and too ready to move on. She begins her investigation. Larry insists she is becoming too fixated on their neighbor as all of the irregularities seem to have simple non-homicidal explanations. Ted, a recently divorced friend helps her investigation and Larry begins to become jealous of their relationship and agrees to help her. Written by
John Vogel <email@example.com>
Toward the end of the film, when Paul is lying on the floor of the backstage, killed by Gladys, pieces of broken glass are falling around him. And we definitely see the hand of one of the crew members, in the upper left corner of the screen, throwing a piece of glass on the floor. See more »
C'mon, you promised to sit through the hockey game without being bored,
I know, honey, I promised.
and I'll sit through the Wagner opera with you next week.
I already bought the earplugs.
Yeah, well, with your eyesight I'm surprised you can see the puck. Wow, yay, come on.
See more »
Couple Larry and Carol Lipton (Woody Allen and Diane Keaton) get involved with a complicated murder (they think) when their next door neighbor's wife dies suddenly. Her husband seems strangely calm about it and then Carol sees the dead wife alive and well on a bus...
This was a return to comedies after Allen had made a string of dramatic movies. Most people believed he couldn't do comedies anymore. It turns out he hadn't lost his touch and turned out one of his best movies. Seeing Keaton and Allen playing a couple was great (they always worked so well off each other) and, for once, Allen isn't the neurotic one--Keaton is! It was fun seeing him play the strongest partner in a relationship. The dialogue is hilarious--one good line after another and the murder mystery itself is very intricate and interesting. Also there are a number of great old songs playing in the background that perfectly complement the movie--especially "The Big Noise from Winnetka" (for when they drive across the bridge at night). And I loved that homage to Orson Welles "Lady from Shanghai" at the end.
The acting is almost all great. Allen and Keaton are just wonderful--right on target and acting (and speaking) like an old married couple. Alan Alda pops up as Keaton's best friend. I never really liked him but he's OK here. Anjelica Huston (looking incredible) also pops up and gives a very strong (and very funny) supporting role. Also look for Zack Braff (from the TV series "Srubs") in his very first role as Keaton and Allen's son (!!!)
My only complaint--the jerky, hand held camera-work. It worked fine in Allen's dramas but is just out of place here--the camera should move fluidly in a comedy. That's a small quibble though. This is WELL worth seeing.
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