Karl Hochman, a technician in a computer shop, is also "The Address-Book Killer", who obtains the names of his victims from stolen address-books. Terry Munroe and her son Josh come into the... See full summary »
Psychic Cayce Bridges helps police solve murders by mentally linking with the murderer. Then she discovers a murderer with the same talent - who wants to share the fear of his victims with ... See full summary »
Rockne S. O'Bannon
Russian soldiers accidentally unleash the servant of Dracula, as well as his dog, during excavations of Romania. Together, they set out for America, to find the last descendant of the great... See full summary »
Michelle Sanderson (Ally Sheedy) is a woman who seems to have everything -- great looks, a promising career, a large circle of friends. But the one thing she yearns for most is a romantic ... See full summary »
A baby alligator is flushed down a Chicago toilet and survives by eating discarded lab rats, injected with growth hormones. The small animal grows gigantic, escapes the city sewers, and goes on a rampage.
Michael V. Gazzo
A genetically mutated dog is accidentally released from the lab of Dr. Jarret and ends up at the home of news reporter/animal rights advocate Lori Tanner. The dog, Max, endowed with intelligence and other special abilities, is at first lovable, but also proves to be a ferocious, unstoppable killer. Written by
Jeff Hole <email@example.com>
You see, Max is a clone; he's not you typical dog. He's a genetic cross breed.
No, I do not mean a mutt, sir. Look around you. Each animal has a specific desirable trait, which is dedicated to their survival. If You took the D.N.A. from each, and genetically spliced it into a breed of a dog, you would have a magnificent creature.
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John Lafia puts his own stamp of original design on this piece about a genetically engineered dog.
It's part suspense, part horror, part comedy, part sci fi, part police investigation, part investigative reporting, part family life.
Lafia is careful not to emulate Verhoeven, which is why I think he shied away from the completely "in your face" style, but one gets the impression Lafia does this out of a desire to create his own style.
That isn't easy, but he does a nice job of it.
What makes this film work is that Lafia always makes sure he keeps the black comedy going.
However, I'd like to have seen more scenic shots than city streets. Most of us see cars and buildings all the time, and are bored by seeing them in the cinema. Most of the action takes place either in businesses, city streets, motor vehicles, or houses, probably the four dullest settings you can have for film.
Which is why the black comedy works so well.
We start off with two sides, the two main human characters. One is heavy in animal rights. The other is heavy into experimentation.
Unfortunately, the "experimenter" has more than a few screws loose, so this is one sided. Lafia is very clever in disguising this for a long time. I don't think he needed to. It probably would have worked just as well if the "heavy" was not insane.
The dog is sort of a Frankenstein's monster, and yet very much like any dog you would meet. One of the funniest things about this film is how many adults don't know how to react around the canine genus.
And that is probably the underlying theme here. Lafia is poking fun at the modern man who has lost touch with Nature. We can forgive the kids in the film for not knowing how to handle dogs, and yet even they seem to have more common sense than most of the adults.
Very interesting. Very lucky to be made in the nineties, perhaps the worst decade in film, so it looks even better when compared to movies of that decade.
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