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The dancer, Diotima, meets an engineer and skier, Karl, in his cottage in the mountains where they fall in love and have an affair. When Karl's young friend, Vigo, meets her she gives him ... See full summary »
Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter EGermann, the feuding, childless, professional couple who appear in one episode of "... See full summary »
An art director in the 1930s falls in love and attempts to make a young woman an actress despite Hollywood who wants nothing to do with her because of her problems with an estranged man and her alcoholic father.
Recovering from an attempted suicide, a man is selected to participate in a time travel experiment that has only been tested on mice. A malfunction in the experiment causes the man to ... See full summary »
A little girl, Mui, went to a house as a new servant. The mother still mourns the death of her daughter, who would have been Mui's age. In her mind she treated Mui as her daughter. 10 years... See full summary »
Tran Anh Hung
Tran Nu Yên-Khê,
Man San Lu,
Thi Loc Truong
This documentary recounts the life and work of one of most famous, and yet reviled, German film directors in history, Leni Riefenstahl. The film recounts the rise of her career from a dancer, to a movie actor to the most important film director in Nazi Germany who directed such famous propaganda films as Triumph of the Will and Olympiad. The film also explores her later activities after Nazi Germany's defeat in 1945 and her disgrace for being so associated with it which includes her amazingly active life over the age of 90. Written by
Kenneth Chisholm <email@example.com>
She was first and foremost a visual artist. What comes across here is her being duped, along with so many Germans, by the aim of the Nazi party.
Her two most famous documentaries were made under the delusion that the prevailing party had a worth mission. This documentary helps to explain this perspective from Riefenstahl's eyes.
Her true awakening came toward the end of the war, when she saw Hitler not visiting bombed out cities to witness the devastation. The final blow was her visiting the concentration camps and seeing the horror there.
This documentary shows many shots of Leni sharing things from her perspective, and denouncing the Nazi regime.
It goes on to show her film work during the war, followed first by her African trip to Nubian tribes, then to her fascinating under water film work. In all cases, her interest comes across as artistic and apolitical.
This is a most informative documentary on one of cinema's most controversial figures.
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