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This documentary tells the story of film director Aleksandr Medvedkin, throughout his life a sincere believer in communism, whose films were repeatedly banned in the Soviet Union. Modern ... See full summary »
In 1964, to explore the adage "Give me a child until he is seven and I will give you the man," World in Action filmed seven-year-olds. Every seven years, Michael Apted visits them. At 49, ... See full summary »
Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last ... See full summary »
This documentary recounts the life and work of one of most famous, and yet reviled, German film directors in history, Leni Riefenstahl. The film recounts the rise of her career from a dancer, to a movie actor to the most important film director in Nazi Germany who directed such famous propaganda films as Triumph of the Will and Olympiad. The film also explores her later activities after Nazi Germany's defeat in 1945 and her disgrace for being so associated with it which includes her amazingly active life over the age of 90. Written by
Kenneth Chisholm <firstname.lastname@example.org>
This documentary was apparently one of the first to examine Leni's life with her actually being interviewed at great depth. The film is broken up into two parts, her films as an actress and her relations with the Nazi party, and then her later films and the rest of her life. The film is fascinating, showing many lengthy clips from all her films. There is no questions that she was a very, very talented filmmaker, and very innovative for her time. Many of the camera angles and shots that she used were invented by her, and are still in wide use today.
It is very clear that at the time the film was made, that Leni was still used to being in control. She is apparently difficult as an interview subject, and is seen in many shots refusing to do what the cameraman tells her. She is also very highly defensive of our association with the Nazi party. At one point, the interviewer asks her about her relationship with Goebels. She replies that she knew him only casually and then had a falling out, after which they never spoke again. However, when she is confronted with the diaries of Goebels, and according to them, they both saw each other at numerous social and political functions, Leni becomes mad and walks out.
My own personal belief is that she has tried to whitewash her association with the Nazi party in her later years.
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