Filming of the performance show the Deutsche Wehrmacht (German Army) made during the Reichsparteitag of the NSDAP in Nurnberg 1935. Showing the readiness and the will of the newly build ... See full summary »
The dancer, Diotima, meets an engineer and skier, Karl, in his cottage in the mountains where they fall in love and have an affair. When Karl's young friend, Vigo, meets her she gives him ... See full summary »
A depiction of life in wartime England during the Second World War. Director Humphrey Jennings visits many aspects of civilian life and of the turmoil and privation caused by the war, all without narration.
Portrait of filmmaker Leni Riefenstahl, shot in her studio in Munich, Germany and in the nearby Alps. With many photos from her own archive and excerpts from her films, including "Triumph ... See full summary »
The Jews of Poland (invaded by Germany in 1939) are depicted as filthy, evil, corrupt, and intent on world domination. Street scenes are shown prejudicially, along with clips from Jewish ... See full summary »
This documentary recounts the life and work of one of most famous, and yet reviled, German film directors in history, Leni Riefenstahl. The film recounts the rise of her career from a dancer, to a movie actor to the most important film director in Nazi Germany who directed such famous propaganda films as Triumph of the Will and Olympiad. The film also explores her later activities after Nazi Germany's defeat in 1945 and her disgrace for being so associated with it which includes her amazingly active life over the age of 90. Written by
Kenneth Chisholm <firstname.lastname@example.org>
She was first and foremost a visual artist. What comes across here is her being duped, along with so many Germans, by the aim of the Nazi party.
Her two most famous documentaries were made under the delusion that the prevailing party had a worth mission. This documentary helps to explain this perspective from Riefenstahl's eyes.
Her true awakening came toward the end of the war, when she saw Hitler not visiting bombed out cities to witness the devastation. The final blow was her visiting the concentration camps and seeing the horror there.
This documentary shows many shots of Leni sharing things from her perspective, and denouncing the Nazi regime.
It goes on to show her film work during the war, followed first by her African trip to Nubian tribes, then to her fascinating under water film work. In all cases, her interest comes across as artistic and apolitical.
This is a most informative documentary on one of cinema's most controversial figures.
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