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The Wonderful, Horrible Life of Leni Riefenstahl (1993)

Die Macht der Bilder: Leni Riefenstahl (original title)
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A documentary about the life and work of Leni Riefenstahl, a German film director most notorious for making the most effective propaganda films for the Nazis.

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2 wins & 1 nomination. See more awards »

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Cast

Credited cast:
...
Herself
Rest of cast listed alphabetically:
...
Herself (archive footage)
Walter Frentz ...
Himself - Camerman 1936 Olymipcs
Joseph Goebbels ...
Himself (archive footage) (as Josef Goebbels)
Rudolf Hess ...
Himself (archive footage)
John Herbert Higgins ...
Himself - U.S. Swimmer (archive footage)
...
Himself (archive footage)
Saburo Ito ...
Himself - Japanese Swimmer (archive footage)
Horst Kettner ...
Himself - Leni's Companion
Reizô Koike ...
Himself - Japanese Swimmer (archive footage)
Guzzi Lantschner ...
Himself - Camerman 1936 Olymipcs
Ralph Metcalfe ...
Himself - U.S. Sprinter (archive footage)
Ray Müller ...
Himself
Jesse Owens ...
Himself (archive footage)
Ernst Röhm ...
Himself (archive footage)
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Storyline

This documentary recounts the life and work of one of most famous, and yet reviled, German film directors in history, Leni Riefenstahl. The film recounts the rise of her career from a dancer, to a movie actor to the most important film director in Nazi Germany who directed such famous propaganda films as Triumph of the Will and Olympiad. The film also explores her later activities after Nazi Germany's defeat in 1945 and her disgrace for being so associated with it which includes her amazingly active life over the age of 90. Written by Kenneth Chisholm <kchishol@execulink.com>

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Release Date:

June 1994 (USA)  »

Also Known As:

The Power of the Image: Leni Riefenstahl  »

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Box Office

Gross:

$449,707 (USA)
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Edited from Der große Sprung (1927) See more »

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User Reviews

 
A Documentary on Making Documentaries
13 September 2002 | by (Tucson, Arizona) – See all my reviews

For American tastes, this documentary is much too long for the subject matter. Yet, it is worth watching for several reasons. Considerable insight into the early appeal of Hitler to the German people shows through Frau Riefenstahl's comments. More than that, though, is the detailed presentation of a master documentary filmmaker and her secrets. As evidenced through her later work in Africa and under the sea, she is an amazing woman. Her comments and her work are presented in such a way that both can be appreciated.


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