Lama Norbu comes to Seattle in search of the reincarnation of his dead teacher, Lama Dorje. His search leads him to young Jesse Conrad, Raju, a waif from Kathmandu, and an upper class ... See full summary »
When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in ... See full summary »
Lama Norbu comes to Seattle in search of the reincarnation of his dead teacher, Lama Dorje. His search leads him to young Jesse Conrad, Raju, a waif from Kathmandu, and an upper class Indian girl. Together, they journey to Bhutan where the three children must undergo a test to prove which is the true reincarnation. Interspersed with this, is the story of Siddharta, later known as the Buddha. It traces his spiritual journey from ignorance to true enlightenment. Written by
Samantha Santa Maria <TE7441667@ntuvax.ntu.ac.sg>
The film is dedicated to Francis Bouygues, a French industrialist who was to produce this film before he died in 1993. See more »
Early in the movie, when Kenpo and the 3 other Tibetan monks are driving north on the top level of WA-99 the movie cuts to a separate shot of the same group now traveling north on Interstate-5 and then again south on the lower level of the WA-99 viaduct. However, as the scene continues, the group ends up atop the Queen Anne neighborhood, which is a northern part of Seattle. See more »
One day Siddhartha heard an old musician on a passing boat speaking to his people.
If you tighten the string too much it will snap and if you leave it too slack, it won't play.
Suddenly, Siddhartha realized that these simple words held the great truth, and that in all these years he had been following the wrong path.
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(Opening disclaimer) This film is inspired by the true life stories of several children and their extraordinary voyage of discovery. See more »
I certainly disagree with the commentary that calls this movie plotless. I agree that it's slow, but what's wrong with slow? Roger Ebert put the movie down by calling it 'Buddhist Sunday School.' True, the Buddha parts are simplistic, but then so is the original Buddha story. Slow, thoughtful, peaceful, subtly stimulating, and with a plot to end all plots-- the one-ness of all individuality. I much prefer this to the more recent Kundun, which tries to tell essentially the same story. In fact, Scorsese rips this movie off dreadfully, even to the same wiping out of the sand pattern at the end.
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