Lama Norbu comes to Seattle in search of the reincarnation of his dead teacher, Lama Dorje. His search leads him to young Jesse Conrad, Raju, a waif from Kathmandu, and an upper class ... See full summary »
When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in ... See full summary »
Lama Norbu comes to Seattle in search of the reincarnation of his dead teacher, Lama Dorje. His search leads him to young Jesse Conrad, Raju, a waif from Kathmandu, and an upper class Indian girl. Together, they journey to Bhutan where the three children must undergo a test to prove which is the true reincarnation. Interspersed with this, is the story of Siddharta, later known as the Buddha. It traces his spiritual journey from ignorance to true enlightenment. Written by
Samantha Santa Maria <TE7441667@ntuvax.ntu.ac.sg>
The film is dedicated to Francis Bouygues, a French industrialist who was to produce this film before he died in 1993. See more »
When Raju is playing with the Game Boy you can hear music from Tetris, but it's actually not turned on at all. See more »
Were you sleeping lama?
No, I was meditating.
It is being totally quiet and relaxed, separating yourself from everything around you, setting your mind free like a bird, and you can then see your thoughts as if they were passing clouds
[looks out the window of a flying plane]
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(Opening disclaimer) This film is inspired by the true life stories of several children and their extraordinary voyage of discovery. See more »
There can be no doubt that Bertolucci made a beautiful and very stylistic portrayal of Siddartha (yes, Keanu does and looks very well in this part). There can be doubt though if these mystical and captivating scenes that play in the ancient (not necessarily historical!) India and the Far Orient are succesfully intermingled with the present day search for a reincarnated soul. I have seen the film several times and I am still not sure. Would this film have been better if it had only focused on the life and times of Siddartha / Buddha? Or would this just have made the film look "easier"? Present and past, reality and legend, magical scenery and modern city life continuously interchange. Each time the film shifted from Siddartha's "world" to Seattle I felt a little sorry. I wanted more and more of these silent, magic world. Bertolucci keeps us awake by going the other way. The things Siddartha learned can be applied, by us, the viewers, in what happens next. Let's just say Bertolucci's choice for dialectic film making was the right one. Final remark: the video / DVD cover is absolutely ridiculous. Surely the film company also wanted to attract young female Keanu fans by portraying him in a slightly romantic, counteropposing posture to Bridget Fonda. The two never meet in the film at all!
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