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IMDb > Knights (1993)
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Overview

User Rating:
3.7/10   750 votes
MOVIEmeter: ?
Up 8% in popularity this week. See rank & trends on IMDbPro.
Director:
Albert Pyun
Writer (WGA):
Albert Pyun (written by)
Contact:
View company contact information for Knights on IMDbPro.
Release Date:
25 August 1994 (Germany) more
Tagline:
He said it takes a cyborg to kill a cyborg. She's going to prove him dead wrong.
Plot:
In the future, a kickboxer and a robot lead a revolution against ruling cyborgs. | add synopsis
NewsDesk:
Revolving Video Podcast Episode 12: The Takeuchi Code
 (From LateFilmFull. 19 May 2009, 7:12 AM, PDT)

User Comments:
"It makes sense, doesn't it? To kill us, you must be metal." more

Cast

  (Cast overview, first billed only)
Kathy Long ... Nea

Kris Kristofferson ... Gabriel

Lance Henriksen ... Job

Scott Paulin ... Simon

Gary Daniels ... David

Nicholas Guest ... Farmer
Vincent Klyn ... Ty (as Vince Klyn)
Ben McCreary ... Chance
Bob Brown ... 1st Marauder
Jon H. Epstein ... Matthew
Burton Richardson ... Marauder guard

Nancy Thurston ... Woman Bandit
Edmund Tyler Wrenn ... Boy
Brad Langenberg ... Master Builder
Clare Hoak ... Mother
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Additional Details

Runtime:
France:90 min
Country:
USA
Language:
English
Color:
Color
Sound Mix:
Dolby SR
Certification:
South Korea:15 | UK:15 | USA:R | Canada:13+ (Quebec) | Canada:R (Ontario)
Filming Locations:
Moab, Utah, USA more

Fun Stuff

Goofs:
Revealing mistakes: Obvious stunt double in Gabriels's fight scenes. more
Quotes:
Job: Death is the future. more
Movie Connections:
Featured in "Joe Bob's Drive-In Theater: Viki Williamson Night" (1995) more

FAQ

This FAQ is empty. Add the first question.
"It makes sense, doesn't it? To kill us, you must be metal.", 30 May 2007
4/10
Author: lost-in-limbo from the Mad Hatter's tea party.

Set in a post-apocalyptic environment, cyborgs led by warlord Job rein over the human population. They basically keep them as livestock, as they need fresh human blood to live off. Nea and her brother managed to survive one of their attacks when she was a kid, and years have past when she came face-to-face with the cyborgs again, but this time she's saved by the cyborg Gabriel, who was created to destroy all cyborgs. Job and his men are on their way to capture a largely populated city, while Nea (with revenge on mind) pleads Gabriel to train her in the way of killing cyborgs and she'll get him to Gabriel.

Cheap low-rent cyborg / post-apocalyptic foray by writer / director Albert Pyun (who made "Cyborg" prior to it and the blistering "Nemsis" the same year) is reasonably a misguided hunk of junk with some interesting novelties. Very little structure makes its way into the threadbare story, as the turgid script is weak, corny and overstated. The leaden banter tries to be witty, but it pretty much stinks and comes across being comical in the unintentional moments. Most of the occurring actions are pretty senseless and routine. The material could've used another polish up, as it was an inspired idea swallowed up by lazy inclusions, lack of a narrative and an almost jokey tone. The open-ended, cliffhanger conclusion is just too abrupt, especially since a sequel has yet to be made. Makes it feel like that that run out of money, and said "Time to pack up. Let's finish it off another day (or maybe in another decade). There's no rush." However it did find it rather diverting, thanks largely to its quick pace, some well-executed combat and George Mooradian's gliding cinematography that beautifully captured the visually arresting backdrop. Performances are fair. Kris Kristofferson's dry and steely persona works perfectly as Gabriel and a self-assured, psychically capable Kathy Long pulls off the stunts expertly and with aggression. However her acting is too wooden. A mugging Lance Henriksen gives a mouth-watering performance of pure ham, as the villainous cyborg leader Job who constantly having a saliva meltdown. Scott Paulin also drums up plenty of gleefulness as one of the cyborgs and Gary Daniels pouts about as one too. Pyun strikes up few exciting martial art set pieces, involving some flashy vigour and gratuitous slow-motion. Seeping into the background is a scorching, but mechanical sounding music score. The special effects and make-up FX stand up fine enough. Watchable, but not quite a success and it's minimal limitations can be a cause of that.

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