Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
After a prank goes disastrously wrong, a group of boys are sent to a detention center where they are brutalized; over 10 years later, they get their chance for revenge.
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in LA. He must find a way to save both himself and one last victim.
Brian Kessler, a journalist researching serial killers, and his photographer girlfriend Carrie set out on a cross-country tour of the sites of the killings. Sharing the ride and their expenses are Early Grayce, a paroled white trash criminal, and his girlfriend Adele. As the trip progresses, Early begins to appear more and more unstable, and Brian and Carrie begin to fear that they may have a real-life killer in the back seat of their car. Written by
Scott Renshaw <as.idc@forsythe.stanford.edu>
The locations where the serial killer events take place are related to the names of the actors in the movie. Lewiston Ranch, Mt. Juliet, TX (Juliette Lewis); Forbes, TN (Michelle Forbes; Davidson Mine, Dew Cove, NV (David Duchovny); Bradbury Textile Warehouse in Pittsburgh, PA (Brad Pitt). See more »
Goofs
The foursome begins the journey in Atlanta (The Georgia Dome is visible during the Breakfast Cereal Conspiracy conversation). After they've traveled 480 miles, Atlanta landmarks are still visible outside the car (Equitable building, Spaghetti Junction, etc) See more »
Quotes
Early Grayce:
Got them both on the dead run.
Adele Corners:
No! No, no, no Early!
Early Grayce:
Come on, momma.
[Walks over to Brian who is standing over the wounded cop]
Early Grayce:
Tell me that don't hurt. Here.
[Hands Brian a gun while pointing another one at his head]
Brian Kessler:
What?
Early Grayce:
Gotta put that crippled dog out of his misery. You wanna know about it, you gotta do it, son. Shoot him. Come on, lay it on in there. Come on, mean boy. Come on, mean boy. Do it! Shoot him! Shoot the dog! Time to live, boy. Shoot him. Come on. Go! Go, mean boy.
[...] See more »
I just got done watching "Kalifornia" on Showtime for the fourth time since I first saw it back in July of 2001. You would think that with the recent wave of serial killer films, that "Kalifornia" would be amongst some of the earlier films worthy of mention but hasn't. Perhaps if this film had been released sometime between like 1996-1999, maybe it might have been more successful. In my opinion, "Kalifornia" is much different from most serial killer films released during the late 1990s. It has an almost completely different atmosphere from most of today's serial killer films like "Seven" or "The Bone Collector". Many serial killer films have shown a killer but that person is always behind a mask or we never see enough of them to actually learn anything about them. "Kalifornia" is a film that actually tries to break through that barrier and actually understand the criminal mind. It tries to answer questions like "why do they do the things they do? Is it because of something that happened in their past? Does it make them feel superior or powerful? Or do they do it because they like the thrill of the kill?" These are some of the things that "Kalifornia" tries to answer but also leaves room for us to try and figure things out for ourselves. Brad Pitt makes an everlasting impression as Early Grayce. When we first meet Early in the beginning of the film, we see that he is obviously one disturbed individual. When we first see him, it's late at night. Early is possibly drunk. We then see him pick up a rock, throw it off a bridge, and it later lands on the windshield of a passing car. Pitt is fierce in this film. It is always good to see him when he plays psychos or really bad people. It's funny that this would later lead him play a true loon like in "12 Monkeys" and that he would be on the other end of the spectrum in David Fincher's "Seven".
20 of 31 people found this review helpful.
Was this review helpful to you?
I just got done watching "Kalifornia" on Showtime for the fourth time since I first saw it back in July of 2001. You would think that with the recent wave of serial killer films, that "Kalifornia" would be amongst some of the earlier films worthy of mention but hasn't. Perhaps if this film had been released sometime between like 1996-1999, maybe it might have been more successful. In my opinion, "Kalifornia" is much different from most serial killer films released during the late 1990s. It has an almost completely different atmosphere from most of today's serial killer films like "Seven" or "The Bone Collector". Many serial killer films have shown a killer but that person is always behind a mask or we never see enough of them to actually learn anything about them. "Kalifornia" is a film that actually tries to break through that barrier and actually understand the criminal mind. It tries to answer questions like "why do they do the things they do? Is it because of something that happened in their past? Does it make them feel superior or powerful? Or do they do it because they like the thrill of the kill?" These are some of the things that "Kalifornia" tries to answer but also leaves room for us to try and figure things out for ourselves. Brad Pitt makes an everlasting impression as Early Grayce. When we first meet Early in the beginning of the film, we see that he is obviously one disturbed individual. When we first see him, it's late at night. Early is possibly drunk. We then see him pick up a rock, throw it off a bridge, and it later lands on the windshield of a passing car. Pitt is fierce in this film. It is always good to see him when he plays psychos or really bad people. It's funny that this would later lead him play a true loon like in "12 Monkeys" and that he would be on the other end of the spectrum in David Fincher's "Seven".