A study in culture bridging, including ... a new US-born husband, trying to work within the traditional ways, a new China-born wife, eager to join the "dream" of America, two family-minded ... See full summary »
In San Francisco, an immigrant Chinese widow welcomes the new year with some unhappiness: she's 62 now, she wants to make a trip to China to pay last respects to her ancestors, a fortune ... See full summary »
Two cabbies search San Francisco's Chinatown for a mysterious character who has disappeared with their $4000. Their quest leads them on a humorous, if mundane, journey which illuminates the... See full summary »
Wayne Wang's follow-up movie to Smoke presents a series of improvisational situations strung together to form a pastiche of Brooklyn's diverse ethnicity, offbeat humor, and essential ... See full summary »
A man is hired by a group of people he believes to be gangsters to escort a briefcase from America to Hong Kong. When he arrives, however, his contact is nowhere to be found. With no ... See full summary »
Through a series of flashbacks, four young chinese women born in America and their respective mothers born in feudal China, explore their past. This search will help them understand their difficult mother/daughter relationship. Written by
In the novel, it is revealed that the real name of the character played by Ming-Na Wen is Jing-Mei. On ER (1994), Ming-Na plays another character named Jing-Mei. See more »
In the first scene where young Ying Ying met her future husband, the guy opened a watermelon which was totally seedless. The scene should be in later 1930s or early 1940s, based on the context. Very unlikely there was any seedless watermelons available in China at the time. Japanese scientists started seedless research in lab in 1938. It won't be widely available even in Japan market till after WWII. See more »
Joy Luck Club is a deeply moving film that will touch the heart and mind of anyone who opens themselves to it's messages about life.
If someone (such as darkfalz) feels this film speaks more of women's shallow choices, they miss out on humanity for the sake of superficial judgment.
This is a film about hard choices and sacrifice. It's a story of the generation gap that inevitably occurs between immigrant mother's and their daughters who were brought up surrounded by different values. Each mother strives to raise her children in a way that will bring them success and joy in life. Each hopes to free their offspring from the pains they themselves had to endure.
It is also about the Chinese way of pushing a child to be the best, and gives insight into a mother's need to see her own struggles amount to something great in her daughter. However, this is not just about Asians. It is about all parents hopes and all children's frustrations with fulfilling those dreams.
In America the story of the first generational gap is a very real and painful one. It happens for boys as much as girls, and I know a lot of men who relate to this film despite it's inherent chick flick nature. It celebrates the need to keep your roots and history alive, even if you let go of certain traditions that you were not born into.
The women in the film often make hard choices. Many of them folly and sin, but it is not a film about forgiving them so much as it is about the lasting effect of the choices we make.
Everyone should see this film. It's one of the most honest human dramas out there.
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