A study in culture bridging, including ... a new US-born husband, trying to work within the traditional ways, a new China-born wife, eager to join the "dream" of America, two family-minded ... See full summary »
In San Francisco, an immigrant Chinese widow welcomes the new year with some unhappiness: she's 62 now, she wants to make a trip to China to pay last respects to her ancestors, a fortune ... See full summary »
Two cabbies search San Francisco's Chinatown for a mysterious character who has disappeared with their $4000. Their quest leads them on a humorous, if mundane, journey which illuminates the... See full summary »
Five orphans in an orphanage don't want the authorities to break up the family they made of each other: Arthur, the eldest, who writes the advice column Dear Lola; Ben who eats paper; ... See full summary »
Wayne Wang's follow-up movie to Smoke presents a series of improvisational situations strung together to form a pastiche of Brooklyn's diverse ethnicity, offbeat humor, and essential ... See full summary »
A man is hired by a group of people he believes to be gangsters to escort a briefcase from America to Hong Kong. When he arrives, however, his contact is nowhere to be found. With no ... See full summary »
Through a series of flashbacks, four young chinese women born in America and their respective mothers born in feudal China, explore their past. This search will help them understand their difficult mother/daughter relationship. Written by
Towards the end of the movie, June can be seen showing an elderly couple out after the party. She bids farewell to them using their names, Daisy and T.C. Daisy is the American name of Amy Tan's (the author) mother and T.C. was the name of her mother's partner. See more »
During a break in the Mah Jong game, Jun plays three notes on the piano. The notes go down the scale but her fingers move to the right. See more »
Do you know what you want? I mean, from him?
Then tell him now. And leave this lopsided house. Do not come back until he give you those things, with both hands open.
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Joy Luck Club is a deeply moving film that will touch the heart and mind of anyone who opens themselves to it's messages about life.
If someone (such as darkfalz) feels this film speaks more of women's shallow choices, they miss out on humanity for the sake of superficial judgment.
This is a film about hard choices and sacrifice. It's a story of the generation gap that inevitably occurs between immigrant mother's and their daughters who were brought up surrounded by different values. Each mother strives to raise her children in a way that will bring them success and joy in life. Each hopes to free their offspring from the pains they themselves had to endure.
It is also about the Chinese way of pushing a child to be the best, and gives insight into a mother's need to see her own struggles amount to something great in her daughter. However, this is not just about Asians. It is about all parents hopes and all children's frustrations with fulfilling those dreams.
In America the story of the first generational gap is a very real and painful one. It happens for boys as much as girls, and I know a lot of men who relate to this film despite it's inherent chick flick nature. It celebrates the need to keep your roots and history alive, even if you let go of certain traditions that you were not born into.
The women in the film often make hard choices. Many of them folly and sin, but it is not a film about forgiving them so much as it is about the lasting effect of the choices we make.
Everyone should see this film. It's one of the most honest human dramas out there.
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