Tania thinks she's Maori. She works the graveyard shift at Horizon to save money to take her brother Pi to Surfers. But one night a cheeky little bird ruins everything and Tania pays the ultimate price for being a hero.
A colorful and foul-mouthed feature musical comedy.A film about a frizzy-haired, pink-cheeked outcast named Spork who is trying to navigate her way through the annals of junior high. When a... See full summary »
J.B. Ghuman Jr.
At the end of the Spanish civil war, Fando, a boy of about ten, tries to make sense of war and his father's arrest. His mother is religious, sympathetic to the Fascists; his father is ... See full summary »
The touching true story of the fifteen years old Terry who promised his dying mother to look after his six younger brothers and keep them together as a family ... a man's job on a boy's ... See full summary »
Thirteen-year-old Danny Mitchell befriends Penny Waters, a little blind girl who is shy who is shy and lonely. DAnny intercedes for Penny when she is about to be sent to the State ... See full summary »
Because of the war, a 12-year-old boy from England, Hugh, is sent to live with the Andrews family in Ohio. Don, the Andrews' 11-year-old son, eagerly accepts the English boy, and is happy ... See full summary »
Harold D. Schuster
One of the most exquisite films about loss of innocence
This film starts from a wonderful concept. The psychological situation represented in Goethe's famous story is transplanted into adolescents in modern Paris. The structuring event (the suicide of Ismael's best friend) has already taken place when the film begins, and Doillon and his young actors do a magnificent job of convincing us of the trauma that this creates. What makes the film to totally memorable is the way that it seamlessly moves from a mystery story into an unforgettable examination of the vulnerability of young emotions. As Ismael and his classmates jump to conclusions and then discover the enigmatic Miren, we are dragged into their world and their sensibility. I have always (at least from 'La Drolesse' until the disaster of 'Les Petites Freres') believed that Doillon was the only truly great French director of his generation. But this great little masterpiece seems to even take him to a higher level. This is one of the very few films that demonstrates that the greatest pain in life comes from falling in love with the inaccessible. Thank you, Jacques.
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