A part of Joan of Arc's life. At the beginning, Jeanne (Joan) has already left Domremy, she is trying to convince a captain to escort her to the Dauphin. It ends during Jeanne's first ...
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Julien lives alone with his cat. He dreams of Marie, and a few minutes later, he sees her on the street and makes a date. He asks her to move in with him, and she does. Her boyfriend is ... See full summary »
Elizabeth sends telegrams to her old boyfriend Ben in NYC and to her younger sister Leo in Rome to join her in Paris, where she is selling her dead father's estate. When Ben and Leo arrive, a mysterious adventure begins.
In eighteenth-century France a girl (Suzanne Simonin) is forced against her will to take vows as a nun. Three mothers superior (Madame de Moni, Sister Sainte-Christine, and Madame de ... See full summary »
A play within a play within a play within a play. Actors perform a play in a house, an audience member invites them to work in his own home improvising a play around his own life. The line between fiction and reality blur.
During the rehearsals for the production of the tragedy Andromaque, the leading actress and her director, a couple behind the scenes, can't find a way to leave their personal problems at ... See full summary »
A part of Joan of Arc's life. At the beginning, Jeanne (Joan) has already left Domremy, she is trying to convince a captain to escort her to the Dauphin. It ends during Jeanne's first battle, at Orleans. Meanwhile, Jeanne is depicted more as a warrior than a saint (all cliches are avoided), with only her faith for strength. Written by
The one and the only Joan of Arc of the movie world is Renée Falconetti, from the 1928 silent film of Carl Dreyer. I don't give credit to Jean Seberg in Preminger film, and to Ingrid Bergman, both in Fleming and Rosselini movies. One pretty good Joan of Arc movie was a French TV Movie of 1989 : Jeanne d'Arc: le pouvoir et l'innocence (it is not listed on IMDB!) featuring Cécile Magnet. And please, I don't want to think of that ugly 1999 film by Luc Besson. And here comes veteran Jacques Rivette, with this two part production of 1994. As many viewers have pointed out, it is very strong on an historical point of view. Sandrine Bonnaire is also very good, especially in the second part. But, like most of the Rivette's movies, it is too long. I know that it is his style, but sometimes, it's a little bit boring (like the crowning of the dauphin.) And everybody knows that the real Joan of Arc was a teenager. Everybody knows it, except movie directors. Sandrine Bonnaire is in her mid thirties! Why not take a younger actress? I think, for this film, that young very good actress like Marie Gillian or Élodie Bouchez (I love you, Élodie!) could have been more realistic. I don't mean to say that miss Bonnaire is bad, but it should be more realistic with a younger actress. There is also a sense of respecting the language of the priest, of the dauphin, but some soldiers talks a lousy 20th century french, which sounds very strange in this movie. One says : J'en ai plein l'cul (which means : My ass!) - oups! sorry! - and another says : J'vais t'casser la gueule = I'm gonna knock you out. Oh yeah? Really? In 1429? Despites these little annoying facts, I still think of the film as one of the best Joan of Arc movies of all time.
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