IMDb > It's All True (1993)

It's All True (1993) More at IMDbPro »

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Overview

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Writers:
Bill Krohn (writer) &
Richard Wilson (writer) ...
(more)
Contact:
View company contact information for It's All True on IMDbPro.
Release Date:
17 October 1993 (USA) See more »
Genre:
Plot:
A documentary about Orson Welles's unfinished three-part film about South America. | Add synopsis »
Awards:
4 wins & 1 nomination See more »
NewsDesk:
User Reviews:
orson's thoughts See more (9 total) »

Cast

  (in credits order)
Manuel 'Jacare' Olimpio Meira ... Himself
Jeronimo André De Souza ... Himself
Raimundo 'Tata' Correia Lima ... Himself
Manuel 'Preto' Pereira da Silva ... Himself (as Manuel 'Preto' Pereira Da Silva)
Jose Sobrinho ... Himself
Francisca Moreira da Silva ... Herself (as Francisca Moreira Da Silva)

Miguel Ferrer ... Narrator (voice)
rest of cast listed alphabetically:

Carmen Miranda ... Herself (voice) (archive footage)
Edmar Morel ... Himself - Interviewee
Grande Otelo ... Himself

Orson Welles ... Himself - Interview (archive footage)

Directed by
Bill Krohn 
Myron Meisel 
Orson Welles 
Richard Wilson 
Norman Foster (segment "My Friend Benito")
 
Writing credits
Bill Krohn (writer) &
Richard Wilson (writer) &
Myron Meisel (writer)

Produced by
Catherine L. Benamou .... associate producer
Régine Konckier .... producer
Bill Krohn .... producer
Myron Meisel .... producer
Jean-Luc Ormières .... producer
Richard Wilson .... producer
 
Original Music by
Jorge Arriagada 
 
Cinematography by
George Fanto 
Gary Graver 
 
Film Editing by
Ed Marx 
 
Production Management
Eric Aijala .... post-production manager
Anthony Bozanich .... post-production supervisor
 
Sound Department
Dean Beville .... supervising sound editor
Mike Chock .... sound editor
Ezra Dweck .... sound re-recording mixer
Stephen Hunter Flick .... sound designer
Geoffrey G. Rubay .... sound editor
Jean-Pierre Ruh .... sound
 
Special Effects by
Pini Klavir .... special effects supervisor
 
Camera and Electrical Department
Chico Albuquerque .... still photographer
Reginaldo Calmon .... assistant camera
Ned Scott .... still photographer
 
Editorial Department
Jennifer Hooper .... second editor
Andrew Patterson .... additional editor
Lillie Thom .... assistant editor
 
Other crew
Catherine L. Benamou .... senior researcher
Shifra Haran .... assistant: Mr. Welles
Edmar Morel .... researcher
Elizabeth Wilson .... assistant: Mr. Wilson
Randy Gitsch .... researcher: RKO Archive (uncredited)
 
Thanks
Carol Bahoric .... special thanks
Fred Chandler .... special thanks
Jodie Foster .... special thanks
Dean Goodhill .... special thanks
Michael Schlesinger .... special thanks
 

Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
Brazil:89 min | USA:87 min
Country:
Language:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:
Certification:
Filming Locations:
Company:

Did You Know?

Trivia:
The black-and-white portions of this film were filmed in 1942, when Orson Welles was asked by Nelson Rockefeller to make a "goodwill" film documentary about South America. RKO assumed Welles' film would resemble an innocuous travelogue; instead, he began to film a documentary about ordinary daily life in Brazil. Legends (ultimately proved untrue) sprang up about Welles' riotous behavior in Brazil, and RKO pulled the plug on the film after a fatal accident involving fishermen. For years, the original footage was considered lost, but what was left was eventually found in the Paramount stock footage library and edited into this 1993 release.See more »

FAQ

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4 out of 6 people found the following review useful.
orson's thoughts, 23 February 2006
Author: Narrator_Jack_dot_com from United States

From "This Is Orson Welles" by Bogdanovich

On the film:

"I've never seen any of what we shot, not a foot. Nobody ever saw the rushes."

On filming in South America:

"I didn't even like it particularly. I liked samba, but I didn't want to go down and live in South America--it's my least favorite part of the world."

On filming:

"I had this enormous crew sent down--I didn't want them, but they gave me two camera crews. So I'd sent a crew out there and said, 'Shoot 'em marching up and down.' I had to keep them busy; they were always saying, 'We want to get home--we're trapped here.'...So there must have been an awful lot of junk shot, because I wasn't even there."

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