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|Index||109 reviews in total|
*** This review may contain spoilers ***
For the most part, this is a good movie. It has some very splendid bits
of cinematography -- the bit where Harrelson's character is standing
amidst a backdrop of TV screens, which suddenly in his mind's eye
displays his wife, is very evocative. The characterizations are sound,
for the most part, and the film avoids some obvious clichés ... take,
for instance, Harrelson's drunken punch at Redford, which *doesn't*
connect. The titillation you would have expected from the horrified
rantings (adultery! prostitution! sin!) at the time of the film's
release didn't actually appear -- Moore's and Redford's characters
scarcely embrace, let alone are seen in bed.
The worst cliché that comes about is the last ten minutes of the movie, though, which inexplicably ditches two hours of characterization for the copout happy-ending-after-all that the Moral Majority and Lifetime crowds would appreciate. The film would have rung a truer tone if it had stayed its course, and demonstrated that actions have consequences you just can't slough off with a familiar catchphrase. It produced a sour note in what was otherwise an interesting exploration of human relationships.
*** This review may contain spoilers ***
This Hollywood-love story seemed to me as a somewhat tasteless copy of Gatsby set in our days.Did someone notice the striking similarity between John Gage,the sinfully seductive billionaire from this film,and Redford's earlier character Gatsby? Up to the encounter with this character the film seemed fairly well-done,yet uninteresting.It is how about a woman(Demi Moore) met the man of her life(Woody Harrelson)and how they plan to live together in an idyllic marriage,have kids and you can guess the rest. But as such respectable outcome would have made this film utterly event less,disaster strikes shortly after they exchanged wows,being hard up for money they head to Vegas in order to save the family's budget and,as expected,end up broke. This is the moment when destiny is giving them a chance in a strange way-they meet mysterious John Gage,billionaire and single,who just witnessed how they lost their last money. And as money can buy everything,he is about to strike a deal with them-would the husband lend his wife to him for night only in exchange of one million crisp,freshly printed,authentic,hard-earned bucks? Well..the proposal sounds a bit too over the top even for a cynical environment like Vegas or the U.S.,where people in need for money do much more humiliating things for much less(it's capitalism,baby!): on one hand her virtue as good wife will be compromised for good and she'll have to live with her guilt,on the other hand she will become in an instance one million richer for a job most women would do for free anyway-for the sheer pleasure of the "act" especially with someone like Redford,notice that the chemistry between them is mutual,Moore's character not even concealing it,in spite of her much loved husband.For Gage she is nothing but another pastime which comes quite affordable to him as he won and lost three,not one,millions while gambling,untroubled as if it was just spare change. What she doesn't know is that the business will have unwanted consequences for all the three of them,as it will soon turn out to be more than an issue of money. I think that John Gage resembles Gatsby-his elegant garments,his house seems just taken out of the 1974 version of Gatsby,his car,in spite of being a more contemporary model,is also yellow and a Rolls-Royce,just like Gatsby's,even his initials match J.G. being possible to stand for both John Gage and Jay Gatsby.He is even having an affair with a married woman,though Moore's character is not the spoiled Daisy,so doesn't actually have to impress her with luxury(even if he does it,being a true gentleman).Yet another,even more important similarity with Gatsby:he is extremely vulnerable,very lonely under his good-looking,elegant exterior,craving for affection and probably closeting a haunting mystery from his past,trying to make up both for his past and his solitude. Redford is credible in this part,even more credible than as Gatsby-he's either the cocky lover boy(but with moderation,not vulgar,just for en extra touch of thrills),either smart-ass and patronizing like the CEO of some multinational enterprise,handsome and sexy in a very narrow,conventional,American sense of the word,extremely good-looking and athletic yet lacking depth,inner beauty,charisma.Nevertheless I think that back in 1993,in spite of his age,most American women would have accepted Redford's proposal,not the character's if not acted by someone at least as good-looking as him,for free. However as the story twists and he discover that,besides physical attraction she is about to fall in love with him(and he also knows that their love is uncertain and would probably just make her suffer)he finds a very gentleman-like way to separate without hurting her,stating that she did't mean anything to him,that she's just one of the many women which he seduced using the same method,although this is untrue and he really loved her,not only desired her.By letting her go and try to rebuild her life with her less privileged husband,Gage,like Gatsby turns out right in the end.Unlike Gatsby,he doesn't pay with his life for believing in his ideal so much that he overlooks the real face of the loved woman,however he also has to face another sort of death-the death of his dream about the ideal,always longed for,seldomly accessible(yes,in spite of intercourse and humble background she is still inaccessible to him).Due to this romantic,even if somewhat corny outcome,and the sometimes more than conventional character Gage this film might be more than a typical,forgettable Tinseltown blockbuster.
This movie is just hilarious.
As Jim Carrey would say....."was that Over the Top?....I can never tell".
What really got to me, was the scene were Woody goes into the betting hall, and he sees a thousand visions of Demi Moore, getting "ridden" by Robert Redford.....TOO MUCH.
I also LOVED the scene, when the dirty deed had been done, and she meets Woody back in the hotel suite, and he seemingly tries to "wipe off" Robert Redford from her lips.....TRULY HILARIOUS.
"Lend your wife for one night and take a million in return? Does it
sound fair?" I'm sure people will talk more about the proposal itself
than the feature film, and that does not really make a favor to the
film. This only leads to a conclusion that the film should have been
better, and it should perhaps have taught us something more. The couple
in the film do consider the proposal, for approving this deal would
remove their acute need of money, but neither of the couple doesn't
really look too smart to make the best decision.
It looks interesting in the beginning but then it does, really nothing. Demi Moore looks gorgeous at least but the point also is lost too quickly, perhaps it is because Robert Redford looks better than the husband who's only angry all the time and doesn't even dress well. There will not happen any great twists in the story, it only gets lame and then dies off before we see the sudden and a bit unexpected mellow ending.
All those who believe Edward Wood to be the worst film director of all time really ought to consider the career of Adrian Lyne after seeing this. As a psychological drama, it is dreadfully limp - I felt I knew nothing about the characters after seeing it. The high concept is all - it could have been an interesting idea, but in Lyne's hands, any moral issues are ultimately brushed aside in a brutally unconvincing attempt at a weepie. Visually, it's all television commercial stuff - empty gloss signifying nothing. At the end, I felt cheated, manipulated and dirty for sitting through this cheap and nasty rubbish.
*** This review may contain spoilers ***
Its is a time-wasting movie with no value ... Millionaires are assholes and this movie pictures the millionaire as a man with a heart .. Millionaires are animals .. they do not have hearts . they think they can buy everything with their money, even happiness and love and this is exactly where this movie tries in a disgusting way to prove them right .. Even her return to her man at the end comes after the millionaire's blessing :-) .. i mean nth in the entire movie happened against the millionaire's wish .. he got what he wanted whenever he wanted and even left away whenever he chooses, even love and happiness .. which is untrue and doesn't reflect any reality .. I BET U CAN FIND A HAPPY MILLIONAIRE .. SUCH A MAN DOESN'T EXIST .. THESE PEOPLE ARE MISERABLE BECAUSE THEY CAN'T EXPERIENCE LOVE OR HAPPINESS ..
Demi Moore proves once again that she cannot act her way out of a
pretty paper bag. It was painful to watch her try to be serious in this
movie. Woody Harrelson does a bit more credible job of delivering
sappy, unintentionally funny lines with a straight face, but there's
not much he could have done with lines that seemed like rejects from a
daytime soap opera.
The saddest thing about this movie, however, is that the once true film star in the group, Robert Redford, was reduced to accepting such a ridiculous role. It must have been strictly a money thing for him because, if he actually saw any artistic merit in playing this role, then he has truly been out in the sun way too long.
The most satisfying aspect of watching this movie was the fact that I didn't waste a dime to see it - just a little time.
Demi and Woody play a struggling married couple who go to Las Vegas on a
gambling run and meet up with rich guy Redford who is so smitten with
Demi(??) that he offers her $1 million for a night with her. Of course, the
couple fights about it and the decision made doesn't help either.
A good movie, but nothing special. 6 of 10
Indecent proposal, is not an ordinary story about two lovers who face some
problems in their life, but it reflects how deep love can make the young
couple (Demi Moore & Woody Harrelson) overcome any obstacle in their
And we are not just talking about any ordinary obstacle here, we are talking about a millionaire (Robert Redford) that takes advantage of the couple's money problem and offers Woody Harrelson a million dollars if he lets him spend one night with his wife.
What will happen next....................!!!!! This movie is one you should never miss, go ahead and rent it now.
I like this movie very very much, and I just couldn't stop my tears from running down at the final scene of the movie.
During a bust economy a loving married couple Diana (Demi Moore) and
David Murphy (Woody Harrelson) risk foreclosure on their house after
troubles with their well-paid jobs respectively as a realtor and an
architect. In a leap of faith they decide to attempt recapturing their
fortune in Vegas. After a successful night they find themselves up
$25,000, half-way there, but then recklessly lose all their hard
gambled money. On the floor wealthy billionaire John Gage (Robert
Redford) becomes enticed with the stunningly beautiful Diana, soon
asking her to act as his good luck charm. After a successful gamble
Diana decides to pay for a suite at the hotel and invite the pair to a
posh party. Over a lazily uninhibiting game of pool Diana haplessly
states that people can't be bought. Gage decides to put the theory to
test by proposing 1 million dollars for a night with her...
An interesting premise for a lively dinner conversation due to formulaic plotting and a unbearably soapish love angle, turns into a cumbersomely dragging romantic snoozer with a mild level of tension build midway thanks more to the premise itself, then a sudden jump in quality. Not quite Golden Raspberry worthy "An Indecent Proposal" signifies a massive drop-off from Adrian Lyne after a surrealistically unnerving "Jacob's Ladder". Gimmicky to the extreme, with little fault especially to Robert Redford in his charmingly ruthless persona, the pretentionality hits hard especially during contrived banal voice-over narrations by Moore and Harrelson. Unable to cope with the rife possibilities of the story, instead we venture into melodramatic twists, which lack conviction and can be deemed even remotely intriguing, plodding out a deeply unsatisfactory finale well in tune with the lowered bar set out prior. Instead of a corruptively divisive thriller we somehow end up with a cheesily uplifting morality tale about all-conquering love. Truly an indecent proposal to any self-respecting movie fan...
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