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In weiter Ferne, so nah! (1993)
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Overview
User Rating:
Release Date:
21 December 1993 (USA) morePlot:
A sequel to Wender's Der Himmel über Berlin (Wings of desire), it again follows a group of angels in... more | add synopsisAwards:
Nominated for Golden Globe. Another 3 wins & 3 nominations moreUser Comments:
A Celebration of life from Wenders moreCast
(Cast overview, first billed only)| Otto Sander | ... | Cassiel | |
| Bruno Ganz | ... | Damiel | |
| Nastassja Kinski | ... | Raphaela | |
| Martin Olbertz | ... | Dying man | |
| Aline Krajewski | ... | Raissa | |
| Monika Hansen | ... | Hanna / Gertrud Becker | |
| Peter Falk | ... | Himself | |
| Rüdiger Vogler | ... | Phillip Winter | |
| Heinz Rühmann | ... | Chauffeur Konrad | |
| Mikhail Gorbachev | ... | Himself | |
| Tilmann Vierzig | ... | Young Konrad | |
| Hanns Zischler | ... | Dr. Becker | |
| Antonia Westphal | ... | Young Hanna | |
| Ingo Schmitz | ... | Anton Becker | |
| Günter Meisner | ... | Forger |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
144 min | USA:140 minCountry:
GermanyAspect Ratio:
1.85 : 1 moreSound Mix:
DolbyFun Stuff
Trivia:
Mikhail Gorbachev only appears because his secretary was familiar with the movies of Wim Wenders and was a great admirer. She talked Gorbachev into giving up a couple of hours to do the cameo as he was on a trip to Germany anyway. moreGoofs:
Continuity: After Cassiel meets Anton Becker and returns to Angelo's pizzeria, he meets Emit Flesti and Damiel puts his flour stained hands on Flesti's shoulder, leaving a white mark on the black suit. The next time we see Flesti, moments later, there is no white mark. moreQuotes:
Cassiel: Why can't I be good? Why can't I act like a man? Why can't I act like other men can?Lou Reed: If I knew, I would tell you. Hang in there.
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Tightrope moreFAQ
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This film is about passion. A flicker on the eyes of an angel, our brief lives are as unique and intense as they are ephemeral, and time itself is the fire that burn our passions and desires. Complex and multicultural, the film is disturbingly deep as it is light, a contrast of innocence and evil, showing how the Faust compromise can be present and right/wrong can become difficult to define. Also, the participation of Lou Reed and Peter Falk as themselves bring Faust to reality, as a mirror to ourselves. The deeply german Wenders pay a compliment to Gorbatchev for the fall of the Wall, maybe telling us the duality of time, that can be good and evil like the faces of a coin. Wonderful piece of art.