Frank Horrigan is a secret service agent who keeps thinking back to November 22, 1963, when, as a hand-picked agent by President Kennedy, he became one of the few agents to have lost a President to an assassin when Kennedy died. Now, former CIA assassin Mitch Leary is stalking the current President, who is running for re-election. Mitch has spent long hours studying Horrigan, and he taunts Horrigan, telling him of his plans to kill the President. Leary plans to kill the president because Leary feels betrayed by the government -- Leary was removed from the CIA, and the CIA is now trying to have him killed. After talking to Leary, Horrigan makes sure he is assigned to presidential protection duty, working with fellow secret service agent Lilly Raines. Horrigan has no intention of failing his President this time around, and he's more than willing to take a bullet. White House Chief of Staff Harry Sargent refuses to alter the President's itinerary, while Horrigan's boss, Secret Service ... Written by
The 62-year old Clint Eastwood (with the help of a safety belt) actually did hang six stories above the ground on the ledge scene, although stuntmen did the jump and the fall onto the fire escape. See more »
When Horrigan breaks into Leary's house, he punches the window glass and some of the glass falls inside the house. When he climbs through the window, there is no glass on the floor. See more »
Oh, my God. Oh, my God. Oh, Frank, thank God. Thank God. I'm dead. I'm dead. I'm dead. I'm dead.
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In The Line of Fire gives us a great game of cat and mouse. Clint Eastwood is plagued by John Malkovich in this riveting film. Malkovich says he's going to kill the president, and he purposely calls Eastwood, and pushes his buttons. He questions Eastwood's ability to protect someone. Malkovich brings a cold, but very intelligent mindset to his character. Everything he does, he does for a reason, and he's not shy about killing. Eastwood has to overcome the suspicions of his superiors in order to catch Malkovich, but no one wants to listen to him. The result is a film that crackles with suspense that escalates to a tense scene in a ballroom at the Bonneventure Hotel. Wolfgang Peterson ratchets up the tension and we feel every turn.
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