Benito González works construction in Melilla and dreams big - of building the tallest building in Benidorm, a great phallic symbol of power, González Towers. Over several years, we see ...
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Manuel Gómez Pereira
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Benito González works construction in Melilla and dreams big - of building the tallest building in Benidorm, a great phallic symbol of power, González Towers. Over several years, we see Benito's rise and fall, much like the construction of his tower. Through force of personality, he puts the financing together, taking advantage of women who love him - Claudia, a model who wants to be a star, and Marta, the US educated daughter of a banker whose loan Benito needs. Can his force of personality - his huevos de oro - compensate for shoddy building materials, no permits, and undercapitalization? Nature may have her own power and surprises in store for Benito. Written by
Por el amor de una mujer
Written by Jesús González López and Danny Daniel
Performed by Julio Iglesias
Canciones del Mundo, S.A. (original publisher)
By courtesy of Columbia, BMG Ariola, S.A. See more »
Admittedly not everyone's cup of tea. But I like it.
This film is Spanish. This statement is not as obvious as you might think. Bigas Luna makes films so rich in Spanish cultural references that it is true that without previous knowledge, or better yet experience, of Spain then much of the film's charm will be lost. He parodies the stereotypes of spanish culture- the macho male most obviously, but there are numerous others- in such a way that anyone who accuses the characters of being over the top and unbelievable would very nearly be fully justified, if it wasn't that they are so instantly recognizable. Javier Bardem's character has wonderfully kitsch taste, most notably his attire and the obsession he has with Salvador Dali (to the point of outlining the famous 'drawers' across the bodies of all the women in his life). This goes a long way to creating the visual style which is somehow spot on for the mediterranean coast. The story itself is quite touching in the end, as a man of great passion and ambition rises from having nothing to having all he desires before the inexorable decent commences. There is much symbolism in this film for those who enjoy it. For example Bardem aims to erect the tallest building in town, yet as it fails and crumbles, so does his sexual potency. This film is admittedly an aquired taste, not for people who thrive on the tried and tested Hollywood formulae, unless they are willing to explore into the exotic and foreign world of Bigas Luna.
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