IMDb > How U Like Me Now (1992)

How U Like Me Now (1992) More at IMDbPro »


Overview

User Rating:
5.1/10   22 votes
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Director:
Writer:
Darryl Roberts (writer)
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View company contact information for How U Like Me Now on IMDbPro.
Release Date:
4 September 1992 (USA) more
Genre:
User Comments:
How you like it, if you're a man more (3 total)

Cast

  (Cast overview, first billed only)
Daniel Gardner ... Spoony
Debra Crable ... Michelle
Darryl Roberts ... B.J.
Salli Richardson-Whitfield ... Valerie (as Salli Richardson)
Darnell Williams ... Thomas
Byron Stewart ... Pierre
Scott Goodrich ... Brandon

JoNell Kennedy ... Sharon (as Jonelle Kennedy)
D.J. Howard ... Jack T. Jackson

Charnele Brown ... Paula
Zelda Pulliam ... Irma
Gerald McQuirter ... Carl
Julie Welborne ... Beverly
Derion Best ... Andre
Jay B. Ross ... Sex Shop Owner
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Additional Details

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Aspect Ratio:
1.66 : 1 more
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2 out of 2 people found the following comment useful.
How you like it, if you're a man, 23 September 2000
8/10
Author: Eljay_Allen from United States

"How You Like Me Now" was a wonderful and cautionary tale of how not to handle a man. The film centers around Valerie (Salli Richardson) and Thomas (Darnell Williams), a young couple whose relationship burns out due to Valerie's ambition and materialistic drive that clashes with Thomas's lack of passion. Making a long story short: Valerie dumps Thomas for a white guy whom she assumes will drastically improve her lot, while Thomas ends up having his ego stroked by his boss--a woman--whom he ends up dating. Of course when Valerie returns to Thomas she finds a new man thriving without her. This film served a bit too much "stroke-a-man's-ego-to-get-what-you-want" to please a wide viewing audience. Yet its message does come across. Salli Richardson was flawless as the overly critical, materialistic, but romance-starved Valerie. Although this film falls a bit short of its mark, Darnell Williams (Thomas) and Salli Richardson (Valerie) give stand out performances of how values, based on class and gender, alter the timbre of male/female relationships--Ideas about gender and class are rarely explored in film as issues that genuinely effect the interaction between Black men and women. Although a comedy that clearly offers a heavy dose of the male perspective, this film also raises some rather serious issues. B+/A-

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