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The House of the Spirits (1993)
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Overview
User Rating:
Your Rating:
Director:
Writers:
Release Date:
1 April 1994 (USA)
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Plot:
Chile, second half of the 20th century. The poor Esteban marries Clara and they get a daughter, Blanca...
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| Add synopsis »
Plot Keywords:
Farm
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Revolutionary
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Death
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Money
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Conservative
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Awards:
11 wins
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NewsDesk:
(7 articles)
Meryl Streep Toasts Her Other Partner, J. Roy Helland
(From Alt Film Guide. 5 March 2012, 4:01 PM, PST)
Antonio Banderas: Almodóvar and me
(From The Guardian - Film News. 29 July 2011, 4:06 PM, PDT)
Streep at 60: Family Time With The River Wild
(From FilmExperience. 15 June 2010, 8:43 PM, PDT)
(From Alt Film Guide. 5 March 2012, 4:01 PM, PST)
Antonio Banderas: Almodóvar and me
(From The Guardian - Film News. 29 July 2011, 4:06 PM, PDT)
Streep at 60: Family Time With The River Wild
(From FilmExperience. 15 June 2010, 8:43 PM, PDT)
User Reviews:
great book, pretty good movie
See more (70 total) »
Cast
(in credits order) (verified as complete)
Directed by | |||
| Bille August | |||
Writing credits(in alphabetical order) | ||
| Isabel Allende | novel | |
| Bille August | writer | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| Jörgen Persson | |||
Film Editing by | |||
| Janus Billeskov Jansen | |||
Casting by | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Anna Asp | |||
Set Decoration by | |||
| Søren Gam | |||
| Peter Obeling Johannsen | (uncredited) | ||
Costume Design by | |||
| Barbara Baum | |||
Production Management | |||
| Jaime Campos | .... | unit manager: Portugal | |
| Marianne Christensen | .... | production manager | |
| Stephanie Hörmann | .... | post-production manager | |
| António Seabra | .... | production manager: Portugal | |
Sound Department | |||
| Martin Saabye Andersen | .... | boom operator | |
| Niels Arild | .... | sound (as Niels Arild Nielsen) | |
| Solweig Bores | .... | foley editor | |
| Uschi Busse | .... | foley editor | |
| Eva Claudius | .... | dialogue editor | |
| Beatrice Festerling | .... | sound editor trainee | |
| Joo Fürst | .... | foley artist | |
| Rebecca Khanide | .... | foley assistant | |
| Darcy Kite | .... | adr recordist | |
| Michael Kranz | .... | sound re-recording mixer | |
| Veronika Manchot | .... | assistant dialogue editor | |
| Abi Schneider | .... | foley engineer | |
| Andreas Schneider | .... | foley artist (as Andi Schneider) | |
| Andrea Strubl | .... | foley editor | |
| Silvana Zafosnik | .... | sound assistant | |
Visual Effects by | |||
| Thorsten Binte | .... | matte artist | |
Stunts | |||
| Miguel Fredecosa | .... | stunt coordinator | |
| Nathalie Guijaro | .... | stunts: Portugal | |
| Aimaro Quiroga | .... | stunts: Portugal | |
| José María Serrano | .... | stunts: Portugal | |
| Lasse Spang Olsen | .... | stunt performer (uncredited) | |
Costume and Wardrobe Department | |||
| Bina Daigeler | .... | wardrobe mistress | |
| Constanze Donath | .... | wardrobe mistress | |
| Tine Engelbrecht | .... | wardrobe mistress: Denmark | |
| Rita Godinho | .... | wardrobe mistress: Portugal | |
| Jenny Hawkins | .... | wardrobe mistress | |
| Irene | .... | wardrobe mistress: Portugal | |
| Georg Kuhn | .... | wardrobe master | |
| Silvia Meireles | .... | wardrobe mistress: Portugal | |
| Michael O'Connor | .... | wardrobe supervisor | |
| Madalena Poppe | .... | wardrobe mistress: Portugal | |
| Else Prangsgaard | .... | seamstress: Denmark | |
| Rosário Rafael | .... | seamstress: Portugal | |
| Manuela Riobom | .... | wardrobe mistress: Portugal | |
Editorial Department | |||
| Trine Andersen | .... | apprentice editor | |
| Merete Brusendorf | .... | second assistant editor | |
| Katharina Faig | .... | negative editor | |
| Felix Haß | .... | editing room trainee | |
| Gudrun Heider | .... | first assistant editor | |
| Kasper Leick | .... | first assistant editor | |
| Karin Moser | .... | negative editor | |
| Wolfgang Pötsch | .... | color grader | |
| Camilla Skousen | .... | second editor | |
Music Department | |||
| Daniel Brock | .... | music coordinator | |
| Nick Glennie-Smith | .... | orchestrator | |
| Tobias Heilmann | .... | assistant: to Hans Zimmer | |
| Malcolm Luker | .... | score mixer | |
| La Musique des gardiens de la paix | .... | musician | |
| Philharmonisches Filmorchester München | .... | orchestra (as Philharmonic Film Orchestra Munich) | |
| Georg Naschke | .... | music consultant (as George Naschke) | |
| David Pardue | .... | assistant: to Hans Zimmer | |
| Michael Stevens | .... | assistant: to Hans Zimmer | |
| Fiachra Trench | .... | conductor | |
| Fiachra Trench | .... | orchestrator | |
| Hans Zimmer | .... | music arranger | |
Thanks | |||
| William C. Gordon | .... | the producers wish to thank | |
| Bette Smith | .... | the producers wish to thank | |
Production Companies
- Costa do Castelo Filmes
- Det Danske Filminstitut
- Eurimages
- House of Spirits Film
- Neue Constantin Film
- Spring Creek Productions
- Laurenfilm (1993) (Spain) (theatrical)
- Neue Constantin Film (1993) (Germany) (theatrical)
- Avsar Film (1993) (Turkey) (all media)
- Entertainment Film Distributors (1994) (UK) (theatrical)
- Miramax Films (1994) (USA) (theatrical)
- Warner Bros. Finland (1994) (Finland) (theatrical)
- Live Home Video (1994) (USA) (VHS)
- Live Home Video (1994) (USA) (video) (laserdisc)
- Pioneer (1994) (Germany) (video) (laserdisc) (as "Das Geisterhaus")
- Warner Home Video (1994) (Finland) (VHS)
- VCL Communications (1994) (Germany) (VHS)
- Mainostelevisio (MTV3) (1997) (1998) (Finland) (TV)
- Aquarius TV (2001) (Greece) (TV)
- Artisan Entertainment (2001) (USA) (DVD)
- Paramount Home Entertainment (2001) (Netherlands) (DVD) (rental)
- Film Office (2003) (France) (DVD)
- A-Film Home Entertainment (2004) (Netherlands) (DVD) (retail)
- Warner Home Video (2004) (Germany) (DVD)
- Yleisradio (YLE) (2008) (Finland) (TV)
- AMLF (1994) (France) (theatrical)
- Paris Vídeo (Brazil) (DVD)
- Paris Vídeo (Brazil) (VHS)
- RCV Home Entertainment (199?) (Netherlands) (VHS)
- Tayrona Entertainment Group (1993) (Colombia) (all media)
- Universal Pictures Benelux (199?) (Netherlands) (VHS)
- Albert G. Ruben and Company insurance
- Arco Studios, München recorded at: Socre (as Arco Studios, Munich)
- Bayerische Hypotheken-und-Wechsel-Bank Aktiengesellschaft financial services
- Berliner Bank financial services
- CinePostproduction sound post-production
- Completion Bond Company completion bond
- Cue Music scoring services (as Cue Music LTD.)
- Câmara Municipal de Lisboa thanks
- Danish Film Studio, The filmed on location at (as Danish Film Studio Copenhagen)
- FGV Schmidle GmbH film equipment
- Lisboa Filmes film equipment
- Louis Vuitton thanks
- Philharmonic Film Orchestra orchestra
- Rafael Hosteleria Internacional S.A. catering
- Sickert title design
- Sound Film Post-Production post-synchronization facilities: German version
- Teatro Nacional São Carlos thanks
- Virgin Records soundtrack
- Willie's Wheels location facilities
Additional Details
Also Known As:
See more »
MPAA:
Rated R for strong sexuality, and for violence
Parents Guide:
Runtime:
140 min | Germany:141 min | Spain:146 min
Color:
Color (Eastmancolor)
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
Germany:12 (f) | Australia:M | Brazil:16 | Netherlands:16 | Iceland:16 | UK:15 | Portugal:M/12 | Canada:R (Ontario) | USA:R | Finland:K-16 | South Korea:18 | Philippines:R-18 | Sweden:15
Filming Locations:
Company:
Did You Know?
Trivia:
Based on Isabel Allende's bestselling novel.See more »
Goofs:
Anachronisms: Alba is eating KFC, but the KFC name/logo wasn't adopted until the 1990s (it was formerly Kentucky Fried Chicken), it's in a basket instead of a box, and the chain wasn't franchised in South America in the 1970s anyway.See more »
Quotes:
Férula Trueba:I'm so sorry. It's just I'm not used to people hugging me or touching me.See more »
Movie Connections:
Referenced in "Mavra mesanyhta: Episode #1.19" (2008)See more »
Soundtrack:
La PalomaSee more »
FAQ
This FAQ is empty. Add the first question.See more (70 total) »
Message Boards
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An 
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The book was fabulous and remains one of my favorites. The movie, for some reason reminded me of "The Thorn Birds"--I guess because I felt so much was left out, and it would have been better as a mini-series.
The book evokes a much more magical, mythical, and "Spirit"-ual feeling that reflects the special flavor of life in South America, especially with Clara having green hair, and more powers in the book. A lot of that feeling is left out of the movie.
However, the movie mostly makes up for this lack in the extremely vivid presentation of the characters' emotions.