A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her ... See full summary »
Patty Vare falls off a horse and is found unconscious by preparatory school student John Baker. He takes her to his dormitory. As he quickly discovers, she is hiding from something. For ... See full summary »
This Ken Loach film tells the story of a man devoted to his family and his religion. Proud, though poor, Bob wants his little girl to have a beautiful (and costly) brand-new dress for her ... See full summary »
Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her... See full summary »
Chile, second half of the 20th century. The poor Esteban marries Clara and they get a daughter, Blanca. Esteban works hard and eventually gets money to buy a hacienda, eventually to become a local patriarch. He becomes very conservative and is feared by his workers. When Blanca grows up, she falls in love with a young revolutionary, Pedro, who urges the workers to fight for socialism. It is unavoidable that Pedro and Esteban are pitted against each other. Esteban tries to stop the love affair between Pedro and his daughter by all means possible but soon Blanca becomes pregnant and has a daughter. The void between father and daughter seems unbridgeable when Blanca moves in with Pedro. Written by
I just do not get very inspired in this treatment of Isabel Allende's novel. The worst thing is that I cannot even identify exactly what it is that does not succeed in really drawing me into the story. Evidently the film is well made, beautiful filming, and the cast is really extraordinary, with some magnificent interpretations. The make-up department did excellent work on the aging process of the players. This is the second time I have seen this film, but the story's continuity did not get me really sympathising with and feeling for the characters. There is something missing: however, no way can either Meryl Streep or Jeremy Irons, among the other leading actors, be blamed for this. There is something abstract here which I cannot explain. It may be arguable that this film is better than `Missing' (1982) (qv), however `Missing' pulled me much more into the story.
Certainly, in no way should you pass up this film if you get a chance to see it: there are very good interpretations, at times even wondrous, combining with very intelligent photography and Hans Zimmer doing some of his best work.
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