| Jeff Fahey | ... | Charlie Pike | |
| Yancy Butler | ... | Jordan Henning | |
| James Coburn | ... | Peter Mayhew | |
| Michael Beach | ... | Det. Akin | |
| Randy Oglesby | ... | Det. Wilcher | |
| Charles Lanyer | ... | Capt. DeBont | |
| Sherman Howard | ... | Bishop | |
| Jeff Kober | ... | Richard Cordon | |
| Chris Pedersen | ... | Tommy | |
| Michael Harris | ... | Sean | |
| Carl Ciarfalio | ... | Second Hitman | |
| Tony Amendola | ... | Rabin | |
| Steven Marcus | ... | Homeless Man | |
| La Joy Farr | ... | Linda | |
| David Brisbin | ... | Forensics | |
| Erick Avari | ... | Pharmaceutical Wholesaler | |
| Stephen Rowe | ... | Search Detective | |
| Eleanor Joy Lind | ... | Mayhew's Secretary | |
| Andreas Wisniewski | ... | Lance | |
| Ashley Graham | ... | Bartender | |
| Michael Winters | ... | Fingerprint Detective | |
| Mara Duronslet | ... | Maria | |
| Hannes Fritsch | ... | Bouncer | |
| Frances Peach | ... | Bobbi | |
| Shelley Michelle | ... | Dancer | |
| James Jude Courtney | ... | Final Hitman |
Directed by | |||
| William Webb | |||
Writing credits(WGA) | ||
| Reed Steiner | (written by) | |
Produced by | |||
| T.R. Conroy | .... | producer | |
| Richard Goldberg | .... | executive producer | |
| Robert W. Mann | .... | executive producer | |
| Carol Schuler | .... | associate producer | |
| William Webb | .... | producer | |
Original Music by | |||
| Rick Conrad | |||
Cinematography by | |||
| John Huneck | |||
Film Editing by | |||
| Michael Thibault | |||
Casting by | |||
| Brian Chavanne | |||
| Mary Margiotta | |||
Production Design by | |||
| Perry Andelin Blake | |||
Art Direction by | |||
| Troy Myers | (as Troy Meyers) | ||
Set Decoration by | |||
| Mario Saverino | |||
Costume Design by | |||
| Charmian Espinoza | |||
Makeup Department | |||
| Patti Brand | .... | makeup artist | |
| Vince Tremonti | .... | makeup artist (as Vincent Tremonti) | |
| Heidi Williams | .... | assistant makeup artist | |
Production Management | |||
| Michael Cain | .... | unit production manager | |
| Robert Graham | .... | production supervisor (as Bob Graham) | |
Second Unit Director or Assistant Director | |||
| Daniel Brod | .... | second assistant director: second unit | |
| Rita Lisa Danao | .... | second second assistant director | |
| Suzi Mealing | .... | second assistant director | |
Art Department | |||
| Robert A. Delap | .... | swing | |
| Jairo Hernandez | .... | swing (as Jairo Hernandez Jr.) | |
| Kym Kartiganer | .... | assistant property master | |
| Michael T. Lusk | .... | swing | |
| Randolph Montano | .... | lead | |
| Elizabeth Nakane | .... | set dresser | |
| Shannon Stevens | .... | swing | |
| Kathy Stewart | .... | assistant property master | |
| Thomas R. Wagner | .... | property master | |
Special Effects by | |||
| Beverley Hartigan | .... | assistant special effects coordinator (as Beverly Hartigan) | |
| John C. Hartigan | .... | special effects coordinator (as John Hartigan) | |
| Paul Hickerson | .... | special effects | |
| Thomas Ordorff | .... | special effects (as Tommy Ordorff) | |
| Duncan J. Simpson | .... | special effects (as Duncan Simpson) | |
Visual Effects by | |||
| Larry Arpin | .... | optical effects | |
| David L. Hewitt | .... | optical supervisor | |
| Leon Stankevich | .... | optical line-up | |
Stunts | |||
| Jane Austin | .... | stunts | |
| Doug Coleman | .... | stunts | |
| Marguerite Happy | .... | stunts | |
| Jeff McGrail | .... | stunts | |
| Tom Morga | .... | stunts | |
| Gary J. Wayton | .... | stunt coordinator (as Gary Wayton) | |
| Gary J. Wayton | .... | stunts (as Gary Wayton) | |
| Paula Moore Wayton | .... | stunts | |
| Merritt Yohnka | .... | stunts | |
Casting Department | |||
| Rich King | .... | extras casting (as Richard King) | |
| Karen Margiotta | .... | casting associate | |
Costume and Wardrobe Department | |||
| Sara Munster | .... | wardrobe assistant | |
| Simone Schmal | .... | wardrobe supervisor | |
Editorial Department | |||
| David Chaparro | .... | apprentice editor | |
| Douglas Crise | .... | apprentice editor | |
| Russell Eaton | .... | first assistant editor | |
| Marta Evry | .... | additional assistant editor | |
| Melinda Friedman | .... | additional assistant editor (as Melinda Seabrook) | |
| Paul Kieran | .... | assistant editor | |
| Ray Morfino | .... | color timer | |
Music Department | |||
| Paul Brown | .... | music producer | |
Other crew | |||
| Shauna Babbs | .... | craft service | |
| Brenda Bodor | .... | scheduling coordinator | |
| Christopher Byrne | .... | location manager (as Christopher P. Byrne) | |
| Rick Conrad | .... | location manager | |
| Rick Conrad | .... | location scout | |
| Craig Bernstein | .... | production assistant | |
| Javier M. Hernández | .... | production assistant | |
| Victor Ho | .... | production coordinator | |
| Mark Lewis | .... | production assistant | |
| Elizabeth Ludwick-Bax | .... | script supervisor (as Liz Ludwick) | |
| Maria Markovic | .... | production assistant | |
| Jane McKernan | .... | helicopter ground supporter | |
| Amy Rochelle | .... | body double: Yancy Butler | |
| Steven Silpa | .... | production assistant | |
| Dee Stanley | .... | location services | |
| Miguel Tejada-Flores | .... | script consultant | |
| Michael Thibault | .... | script consultant | |
| Thomas R. Wagner | .... | weapons handler | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
This movie is slow and tedious. But thats only at the first viewing of it. The Story is actually a fun and original one. Yancy Butler's Real life ex-fiancé (Jeff Fayhey lawnmoverman ) Plays charlie Pike a Hit man who takes a Job as a favor for Jordan Henning ( Yancy Butler ) the rich widow of a mob boss. But Jordan has something more sinister up her sleave then the protection she is asking pike for. The acting in this film is surreal and eerie. Fahey gives a oddly quiet though not bad performance of the hit-man falling for the possibly deadly Butler. He is fit in the role. This was Yancy's first film. She does an excellent job. Still though today this film lookes and sounds dated. It didn't stand the test of time...but its still for a good viewing every now and then.