5.5/10
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8 user 2 critic

The Hawk (1993)

Housewife Annie Marsh suspects her husband might be The Hawk, a brutal serial killer. Complicating matters is the fact that she once was incarcerated in a psychiatric hospital. When she ... See full summary »

Director:

Writers:

(novel), (screenplay)
Reviews
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Daryl Webster ...
Woman Driver
Thomas Taplin ...
Boy in Car
Joshua Taplin ...
Boy in Car
...
Sergeant Streete
...
Chief Inspector Daybury
...
WPC Clarke
Marie Hamer ...
Jackie Marsh
...
Annie Marsh
Christopher Madin ...
Matthew Marsh
...
Stephen Marsh
...
Mrs. Marsh
...
Ken Marsh
...
Norma
...
Mrs. Crowther
...
John
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Storyline

Housewife Annie Marsh suspects her husband might be The Hawk, a brutal serial killer. Complicating matters is the fact that she once was incarcerated in a psychiatric hospital. When she discovers she does not have the happy marriage she always believed and begins to piece together the times and dates of her husband's frequent absences, her fears begin to take hold, and her sanity deteriorates. Written by Winona Kent

Plot Summary | Add Synopsis

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language and terror | See all certifications »
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Details

Country:

Language:

Release Date:

10 December 1993 (USA)  »

Also Known As:

Der Falke des Schreckens  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Quotes

[repeated line]
Boy in CarBoy in Car: Here We Go... Here We Go... Here We Go...
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Connections

Featured in Screen Two: The Hawk (1995) See more »

Soundtracks

LOVE IS FOR SALE
Composed by Paul A. Campbell
Copyright B.D.M. Music Ltd.
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User Reviews

Dull
16 February 2007 | by (United Kingdom) – See all my reviews

A tedious thriller which feels a lot longer than its 88 minutes. Mirren's performance as is solid as you'd expect, but that really isn't quite enough and it's hard to see why this was a film as opposed to a one off TV-drama. I suppose there is something to be said for the fact the film really only let's us experience Mirren's character's perspective and the fact that the audience is kept guessing for much of the movie, but really you can't help feel this could have been a lot better. Compare it to an episode of Cracker or Prime Suspect, and it's nowhere near as dark and brooding as it likes to think it is, and nowhere near as dark and brooding as we know British drama can achieve.


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